Showing posts with label English. Show all posts
Showing posts with label English. Show all posts

Saturday, 24 September 2022

FIFA World Cup official anthems and songs

FIFA World Cup anthems and songs are tunes and songs adopted officially by FIFA that are used prior to the World Cup event and accompany the championships during the event. These tunes and songs are also used in advertising campaigns for the World Cup event. These songs are usually multilingual and include English, the official language of the organizing country, Spanish and other languages. Since 1962, every World Cup has had an official theme song which has been a hit across the world. Some of the most popular FIFA World Cup theme songs and anthems include La Copa de la Vida sung by Ricky Martin, Waka Waka sung by Shakira, and Wavin' Flag sung by K'Naan. The theme song of the upcoming 2022 World Cup, Hayya Hayya (Better Together) sung by Trinidad Cardona, Davido and AISHA, has already caught the attention of the world.


1962 World Cup

Official song: El Rock del Mundial

Performer: Los Ramblers

Host: Chile




1966 World Cup

Official song: World Cup Willie

Performer: Lonnie Donegan

Host: England




1970 World Cup

Official song: Fútbol México 70

Performer: Los Hermanos Zavala

Host: Mexico




1974 World Cup

Official song: Futbol

Performer: Maryla Rodowicz

Host: West Germany




1978 World Cup

Official song: El Mundial

Performer: Buenos Aires Municipal Symphony

Host: Argentina




1982 World Cup

Official song: Mundial '82

Performer: Plácido Domingo

Host: Spain




1986 World Cup

Official song: El mundo unido por un balón

Performer: Juan Carlos Abara

Host: Mexico




1990 World Cup

Official song: Un'estate italiana

Performers: Edoardo Bennato and Gianna Nannini (Italian) Giorgio Moroder Project (English)

Host: Italy




1994 World Cup

Official song: Gloryland

Performers: Daryl Hall and Sounds of Blackness

Host: USA




1998 World Cup

Official Anthem: La Cour des Grands (Do You Mind If I Play)

Performers: Youssou N'Dour and Axelle Red

Official song: La Copa de la Vida (The Cup of Life)

Performer: Ricky Martin

Host: France





2002 World Cup

Official Anthem: Anthem

Performer: Vangelis

Official song: Boom

Performer: Anastacia

Host: Japan and South Korea





2006 World Cup

Official Anthem: Zeit dass sich was dreht (Celebrate The Day)

Performers: Herbert Grönemeyer featuring Amadou & Mariam

Official song: The Time of Our Lives

Performers: Il Divo, featuring Toni Braxton

Host: Germany






2010 World Cup

Official Promotional Anthem: Sign of a victory

Performers: R. Kelly, featuring the Soweto Spiritual Singers

Official Anthem: Wavin' Flag

Performers: K'Naan

Official song: Waka Waka

Performers: Shakira featuring Freshlyground

Host: South Africa








2014 World Cup

Official Anthem: "Dar um Jeito (We Will Find a Way)

Performers: Carlos Santana featuring Wyclef, Avicii, and Alexandre Pires

Official song: We Are One (Ole Ola)

Performers: Pitbull featuring Jennifer Lopez and Claudia Leitte

Host: Brazil





2018 World Cup

Official song: Live It Up

Performers: Nicky Jam featuring Will Smith and Era Istrefi

Host: Russia




2022 World Cup

Official song: Hayya Hayya (Better Together)

Performers: Trinidad Cardona, Davido and AISHA

Host: Qatar






Sunday, 6 February 2022

How a pioneering Greek scholar was robbed of the credit for translating Chanakya’s words in Sanskrit

Dimitrios Galanos, who was born in Athens in 1760, spent almost five decades in India and became the first Greek Indologist in the modern era. Galanos’s greatest lexicographical work was a Persian-Sanskrit-English-Greek dictionary. Sanskrit and Persian words were written in the Latin script and there was an accompanying English text with copious explanations. Although the dictionary was incomplete and missing some translated words, it was a pioneering attempt to help Greeks understand Sanskrit, writes Ajay Kamalakaran. Read on: 

In 1786, Dimitrios Galanos, a 26-year-old Greek teacher boarded a ship in Basra for Calcutta in search of a new life. A few months before, the young man who was formally educated in Ancient Greek, Latin, philosophy and music, had been galvanised by a chance encounter with a merchant in Constantinople. The merchant, one Madratzoglou, had extensive ties with the 200-strong Greek community that had settled in Bengal by the 1780s in places such as Narayanganj, Dhaka and Calcutta.


“Madratzoglou found him ideal for tutoring the children of the Greek merchants who had settled in Narayanganj (near Dhaka) and Calcutta and offered him a position as a teacher there,” wrote Dimitrios Vassiliadis, a noted Greek Indologist and Sanskrit and Hindi scholar, in 2020 for the Hellenic-Indian Society for Culture and Development. 


“Galanos, eager to expand his knowledge, gladly accepted Madratzoglou’s offer and prepared himself for his journey to the East; ‘…to carry the torch of the paternal education to the Greeks in India, and to send back from there to Hellas a few sparks of the ‘light of Asia’.’”


Spyridon Prosalentis/Wikimedia Commons [Public Domain]


After six months, Galanos reached India, a country where he would live for the next 47 years. Of this time, he spent a relatively brief six years as the teacher of the children and relatives of a wealthy merchant named Constantine Pandazy. But it was a time spent well.


The Greek scholar lived in a Bengal that was in the throes of the Hindu Revival Movement and came across Hindu reformers who were outward-looking and keen to interact with foreign scholars. This was also a period when European scholars developed a deep interest in Sanskrit and were moving to Calcutta because of the Royal Asiatic Society of Bengal. While working in Bengal, Galanos learned and mastered English, Hindustani, Persian and Sanskrit.


Some researchers studying Galanos’s life have suggested that he also got involved in business ventures and made a small fortune for himself. In a 1969 article for the Journal of the American Oriental Society, Siegfried Schulz, who taught languages at the Catholic University of America in Washington DC, wrote that Galanos left behind 75,000 to 80,000 gold francs when he passed away in 1833. “Having shrewdly invested his earnings (and possibly a generous gift from Pandazy as well), Dimitrios Galanos set out for Varanasi in 1793,” Schulz wrote.


Life in Varanasi

Not much is known about the life of Galanos in the Hindu holy city. So consumed was the scholar in translating texts from Sanskrit to Greek that he mostly kept aloof from other foreigners. He does, however, find a place in a book published in 1824-’25 titled Narrative of a Journey Through the Upper Provinces by Anglican Bishop Reginald Heber.


The British were initially suspicious about Galanos’s motives in living in Varanasi, according to Heber. But, after watching him for a long time, they came to the conclusion that there was nothing in his conduct to confirm their suspicions. “So few Europeans, however, who can help it, reside in India, that it seems strange that any man should prefer it as a residence, without some stronger motive than a fondness for Sanskrit literature, more particularly since he does not appear to meditate any work on the subject,” Heber wrote.


The Anglican bishop mentioned a special friendship that Galanos shared with a Russian trader who lived in Varanasi. “There is also a Russian here, who by a natural affinity lives much with the Greek,” Heber wrote. “He is, however, a trader, and has apparently moved in a much humbler rank of society than his friend.” The Russian, named Peter Federoff (Pyotr Fedorov), passed away in 1825 and was buried in Varanasi’s Chaukaghat cemetery. So close was their friendship that there was a Greek inscription from Galanos on Federoff’s tomb.


Besides his Russian friend, Galanos mainly chose to be in the company of learned Sanskrit scholars. “He has little intercourse with the English, but he is on very friendly terms with the principal Hindoo families,” Heber wrote. One of the Greek scholar’s closest Indian friends was a writer and an exceptionally learned man named Munshi Sital Singh, who helped Galanos with his Sanskrit. Sital Singh’s Persian work Silsilah-i-Jogiyan (Chain of Yogis) played an important role in the way the West understood Indian religious groups. It was under the Indian scholar’s guidance that Galanos embarked on a series of translations of Sanskrit texts to Greek.


Incredible legacy

In four decades in Varanasi, Galanos managed to translate 20 volumes of manuscripts. Unfortunately, none of his translated works were published in Greece when Galanos was alive, except The Aphorisms of Chanakya, which Greek captain Nikolaos Kephala, who carried the manuscript, published under his own name. Greek readers first came to know of Galanos after the plagiarised book was published since Kephala mentioned him in the acknowledgments as a most “erudite scholar of the Sanskrit dialect” who “assisted” him in translating the book.


The first volume of Galanos’s translations was posthumously published in Athens in 1845. It contained 330 verses from Bhartrhari’s Niti And Vairagya Satakas, 86 verses from Laughu Chanakya, and 98 verses from Panditaraja Jagannatha’s Bhaminivilasa.


The Greek scholar’s translation of the Bhagavad Gita was published in 1848. “It is the only occasion – in what is, apparently, his first completed translation – upon which Galanos names the Indian who helped him with the work: Kandaradasa,” Schulz wrote in his 1969 paper. “The note in the manuscript also records the exact date when he finished this study: November 12, 1802, in Kashi, the city of the Brahmans.”


Among his other notable translations were chapters from Devi Mahatmyam and Markandeya Purana.


Galanos’s greatest lexicographical work was a Persian-Sanskrit-English-Greek dictionary. Sanskrit and Persian words were written in the Latin script and there was an accompanying English text with copious explanations. Although the dictionary was incomplete and missing some translated words, it was a pioneering attempt to help Greeks understand Sanskrit.


Some Greek scholars are of the opinion that Galanos converted to Hinduism and was accepted as a Brahmin in Varanasi, but Greek Indologist Vassiliadis wrote that there is enough evidence to suggest that he retained his Christian faith. “Evidence that Galanos continued to retain his Christian faith throughout his life is found in his correspondence with Greek priests in Calcutta, and Greece,” Vassiliadis wrote. “Further, his last will starts out with the standard Christian formula, ‘In the Name of God. Amen’ and contains precise directions to be buried in a Christian cemetery.”


Galanos died at the age of 73 in Varanasi in May 1833. The city was in the midst of a cholera epidemic and the Greek scholar may have contracted the illness. He was buried in a churchyard in the city.


He willed a “moiety” of his fortune to his nephew Pandoleon Galanos, while leaving most of the rest to the Academy of Athens. In his will, Galanos wrote, “I hereby also give and bequeath to the principal Academy at Athens all my Sanskrit books, writings, translations and Memskey’s (Franciscus a Mesgnien Meninski) dictionary in all three volumes.” He also left some money for his teacher and servants and even set aside money to pay for his grave and tombstone in the churchyard.


It took almost four years for the manuscripts to reach Athens. “In Athens the manuscripts were bound into volumes with little attention to subject matter of sequence and incorporated into the library of the fledgling university,” Schulz wrote.


Munshi Sital Singh, who was the executor of Galanos’s will, composed a Persian quatrain as an epitaph for his Greek friend:

“Woe, a hundred times!
Demetrios Galanos has gone away from this world
To the eternal abodes.
Woe me! weeping and wailing have I said it.
I am out of myself.
Ah, he has gone away,
The Plato of this century!”


The Greek scholar’s long life in India was the first attempt to rekindle links that stretched back to the pre-Christian era. Concerted efforts have been made by academia in Greece and India to remember and celebrate the legacy of Galanos. In 2000, a Dimitrios Galanos Chair for Hellenic Studies was established at the Jawaharlal Nehru University in Delhi, while in 2016, the Athens Centre for Indian and Indo-Hellenic Studies was established to study India’s cultures, languages and traditions.


Ajay Kamalakaran is a writer and independent journalist, based in Mumbai. He is a Kalpalata Fellow for History & Heritage Writings for 2022.


(Source: Scroll)

Wednesday, 17 March 2021

Homeschooling has revealed the absurdity of England’s national curriculum

 My eight-year-old daughter is being called to spot expanded noun phrases. My 11-year-old son fills in checklists of "success criteria." Are we raising children or robots?

In normal times, my cheery “So, how was school?” rarely receives more than a grunted “OK.” But homeschooling is revealing what my children actually do all day. And the discovery has come as a shock.

My 11-year-old son and eight-year-old daughter go to a perfectly decent state primary, which has valiantly provided worksheets week by week throughout our successive lockdowns. But I read them with incredulity, hilarity—and horror.


My daughter is told to improve her writing using “PUGS (Punctuation, Up-levelling, Grammar and Spelling).” (“Up-levelling,” I gather, means “improving.”) Meanwhile, she is left finding comprehension incomprehensible: “Use evidence from the text to justify your thinking!”—the exclamation mark failing to animate the task, which involves describing the appearance and personality of protagonists; or spotting expanded noun phrases. (I kid you not.)

Suspicious, I took out their old exercise books, which I’d shamefully only ever briefly glanced at in the holidays. At the top of each page is an “LI,” which, they informed me after some racking of brains, stands for “learning intention.” 


(Other schools use “learning objectives” or “WALT”—We Are Learning To…). When she was six and seven, my daughter was in the habit of writing her name followed by a row of hearts and kisses. Yet under that charming heading, she’d been made to scrawl such heart-sinking formulas as “LI: to practise inference skills”; “LI: to interpret a pictogram”; “LI: to work systematically to solve a problem”; and “LI: to identify features of a non-chronological report.”


Underneath the “LI” they have to paste in a checklist of “success criteria”: “I can add extra information to my sentence using a subordinate conjunction”; “I can use time adverbials”; “I can include technical vocabulary.” It was as if I’d booked a babysitter but a marketing manager had turned up instead.


The maths worksheets seemed more cogent, but the language was just as weirdly abstract—all tell, no show. “LI: to add using expanded column method”; “LI: to use inverse relationships to solve problems”; “Challenge: how many different division facts will you be able to write for the following statements? Explain your answer.” The wording reminded me of a poorly translated instruction manual.


When Michael Gove instituted a new national curriculum in 2014, the highly technical grammar foisted on primary pupils attracted some consternation (the secondary grammar curriculum is tiny by comparison). Six- and seven-year-olds are now expected to know prepositions, conjunctions and subordinate clauses; eight- and nine-year-olds, noun phrases expanded by the addition of modifying adjectives, preposition phrases, fronted adverbials and determiners; nine- and 10-year-olds, modal verbs and relative pronoun cohesion. I don’t even know what some of these terms mean, and I’ve got a PhD in English.


But there is a bigger problem with our education system, and it is manifest not just in the grammar, but in its entire lexicon. The dismal ingredients listed in the national curriculum are ending up, raw and unprocessed, on my children’s plates. The teachers—who are expected to serve up this extraordinarily detailed menu—have no time to properly prepare it. When an outsider like me suddenly sees what is going on, the obvious question is: why are they spending precious learning time deciphering abstruse terminology that is clearly age-inappropriate, joyless and fundamentally pointless?

Photo: © Rex Shutterstock



The first national curriculum for England and Wales was legislated for by Margaret Thatcher’s education secretary Kenneth Baker in 1988. It began being phased in the following year. Designed to standardise local variation, it was initially stuffed with knowledge but slimmed down by Ron Dearing’s 1994 review. In 2008, after New Labour’s early fixation on the three Rs, Gordon Brown’s government eventually attempted to shift the emphasis towards “life skills,” but this was reversed when the Coalition initiated its own reforms in 2010.


I am something of an educational conservative, and found myself in agreement with Gove’s belief, shaped by his own education at an Aberdeen private school, that children should acquire a rigorous grounding in “literary canons, mathematical proofs, scientific laws, musical exercises and artistic traditions.” In a 2013 speech, Gove surprised many by quoting the Marxist philosopher Antonio Gramsci and his defence of traditional education against Mussolini’s knowledge-stripping reforms: “Previously pupils at least acquired a certain baggage of concrete facts,” Gramsci wrote. “Now there will no longer be any baggage to put in order.”


Gove also cited the American academic ED Hirsch, who argues that educational conservatism is in reality progressive, as it is “the only means whereby children from disadvantaged homes can secure the knowledge and skills that will enable them to improve their condition.” These children must “master the traditional culture in order to command its rhetoric,” and thereby advance in life. In my view, Gove correctly argued that dethroning the teacher as an authority figure and placing the child alongside them “on the same footing as co-creators of learning” actually ends up reinforcing broader social hierarchies—although his subsequent disparagement of experts means he gets 0 out of 10 for consistency.


Indeed, the whole Govian “reform” project was deeply contradictory: he undermined his own curriculum by allowing academies and free schools to depart from it. Even where it has been stuck to, the “knowledge-based” curriculum has failed on its own terms—why else do my kids stare blankly at an atlas? They are asked to write about topical issues like plastic pollution without understanding the composition of either plastic or the ocean—or even what a fish is.


Part of the problem is that “knowledge” has been incorrectly defined as “grammatical concepts.” Children’s author Frank Cottrell-Boyce tells me he has done readings in primary schools where the teacher says afterwards: “Now class, let’s identify the wow words, connectives and metaphors that Frank is using here.” This is not the fault of teachers: “I see amazing work all the time,” he says, “but it’s in the teeth of what they’re asked to do—they’re having to gouge moments out of the day and twist the curriculum to be able to do it.”


Cottrell-Boyce believes the value of listening to stories is being missed. “It’s a strange thing for a writer to say,” he tells me, “but I think we really overvalue writing. A lot of the writing that’s done in the classroom is to create some physical entity that can be assessed. It has no intrinsic value apart from the testing—and kids know that.”


Testing leads to everything being “gamed,” he tells me. “Kids are being urged to expand their sentences and add adjectives that their story doesn’t need because they gain points for it; so at some level, the whole process is becoming transactional. And the kids know there’s bad faith in that,” because it’s not really about them. Schools are ranked by SATs performance: “So at the core, we’re teaching cynicism over pleasure. Pleasure is regarded as suspect, to do with fun and distraction—but I think of pleasure as a really profound form of concentration. You will only do something well if you are taking pleasure in it.”


Formal grammar teaching is defended as a remedy for those who do not grow up around books. But Cottrell-Boyce points instead to the “huge inequality” between “kids who experience a book on their mum’s knee or being read to in bed, and kids whose first encounter with a book is decoding this terrifying puzzle on a desk. It’s very hard to get over that hurdle.”


“Why are our children spending time deciphering abstruse terminology that is clearly age-inappropriate, joyless and fundamentally pointless?”


All four academics who advised on the literacy curriculum have since criticised the process as chaotic and rushed. One was Debra Myhill, director of the Centre for Research in Writing at the University of Exeter. “The curriculum as it stands doesn’t necessarily reflect what we recommended,” she tells me. “Our advice was made to fit Conservative ideology”—though she adds that other parties would also interfere, a reason why most countries keep politicians out of it.


Myhill questions the degree to which knowing grammar improves writing. “Some naming of parts gives you a vocabulary to use between you and the teacher, but if that is actually confusing you and getting in the way of your learning, then actually it’s not serving any good purpose.”


There is technical language in all subjects, but it is not the case that grammar is to writing what the periodic table is to chemistry. As linguists Noam Chomsky and Steven Pinker have shown, children deploy grammar instinctively; they don’t use it as building blocks to construct sentences. They can write “I went to the park and played with my friend” without knowing they’re using a conjunction. Earlier this month, the writer and teacher Kate Clanchy tweeted reassurance to homeschooling parents struggling with fronted adverbials: “Grammar is not ‘the basics’ of language,” she wrote: “it’s the description of how it works.” Even if there could be some application for it as part of language learning or literary criticism somewhere down the road, it is surely consuming disproportionate amounts of time in the primary school classroom.


Clanchy was writing in tribute to her late mother, Joan Clanchy, herself a headteacher and an adviser on the curriculum, until she resigned in 2011 in protest at emerging literacy plans. “It’s as though the driving test just involved doing a three-point turn without taking the driver out in traffic,” Joan commented at the time. “The interest, enjoyment and excitement will go.” Michael Rosen, another prominent critic of grammar teaching divorced from context and function, argues that writing is best learned through “imitation, parody and invention.”


The 2011 curriculum review was led by Tim Oates, an expert in assessment policy and long-term government adviser on curriculums and qualifications. He acknowledges it was done “at speed,” but insists it is “really well grounded in solid international evidence on high-performing education systems.” The results, he says, speak for themselves. According to PISA, the Programme for International Student Assessment (itself controversial for its reliance on quantitative testing), “standards have improved in mathematics, and we’ve held steady in reading literacy,” Oates tells me; not exactly a ringing endorsement for all the grammar, but he points out that other countries’ performance has deteriorated.


One of those countries is Finland, often hailed as a paragon of holistic, child-centred education. “There’s a lot of nonsense talked about Finland,” Oates says: its impressive results should be seen in the context of historically high literacy levels in the culture at large, which are now in decline.


Is the narrow focus on grammar and perhaps maths at the expense of basic science, geography and history—let alone music and the arts? Oates acknowledges that “we’ve remained somewhat moribund in science,” for example, but thinks that keeping the initial focus on numeracy and literacy is “sensible. Resources are limited, and we don’t want to burden schools with innovations everywhere.”


One of the curriculum’s guiding principles, Oates says, is making sure children understand each aspect before they progress to the next. So what about the impenetrable vocab? “If you’re talking about ‘language about language’ being acquired mechanistically and superficially without understanding,” he says, “I know that’s occurring in reading and writing, and I don’t support it”—damning words from the man behind the original blueprint.


“There is a lot of content in those Year 5 and Year 6 annexes to English” (for nine- to 11-year-olds), he admits, but adds that “the testing has been, as it were, toned down a bit after the first two years’ experience.” Oates thinks it would be “prudent” to review those annexes. But he is not in favour of revamping the entire curriculum; instead, he’d like to see it implemented better through teacher training and support.


For teachers, however, the issue is not just the curriculum but the entire regime of tests and inspections. “Testing drives teaching,” Myhill tells me. “It is possible to abide completely by what the curriculum is asking while teaching it in a meaningful way, but that takes confidence.” Similarly, while LIs, LOs and WALT originate in the pedagogical principle of conscious learning, “they’ve become redundant, fossilised, formulaic procedures”—in part because they plug so neatly into the evidential framework. “There are a million more appropriate and imaginative ways,” she says.


According to the curriculum’s statement of aims, the “language about language” is “not intended to constrain or restrict teachers’ creativity, but simply to provide the structure on which they can construct exciting lessons.” But over-stretched teachers inevitably stick to the script to avoid leaving boxes unticked.


Carrie Derrick is a Year 5 teacher in Bristol. “They can say all they like about parts of the curriculum being non-statutory, but they may as well be,” she tells me. “Understandably, management wants the best for its school, so if Ofsted asks about whether an aspect of the curriculum is being taught, you teach it.”


Derrick works at an inner-city school with a challenging intake. “Year 6 are essentially cheating,” she says, “getting children to copy pretty much what the teachers write throughout the year for ‘evidence for writing’ [an externally moderated teacher assessment]; and actually every school is doing it that I’ve ever worked in, because everyone is so scared of the bad inspection that will follow a bad SATs result—the fear that you could go into special measures, or be [forcibly] ‘academised.’”


Testing—SATs, but also GCSEs—also explains why so few academies and free schools (or independents for that matter) grab the chance to jettison the jargon. In fact, academy chains are replete with dispiriting acronyms: from DEAR (drop everything and read) to SLANT (Sit up straight, Lean your body towards the speaker, Ask and answer questions, Nod your head “yes” and “no,” Track the speaker with your eyes).


The need for schools, teachers and pupils to make it through the gauntlet of tests means the terminology travels largely undigested through the system: the Year 6 spelling, punctuation and grammar test—referred to by the unlovely term SPaG—has its 11-year-old victims identify “modal verbs,” “determiners” and “co-ordinating conjunctions.”


Denied the chance to operate as autonomous professionals, teachers become hopelessly reliant on an industry that has sprung up to deliver the diktats. Twinkl is the most common provider; its corporate logo adorns my kids’ worksheets. “Help your Year 2 students to understand that addition is commutative using our range of age-appropriate maths activities and worksheets that have been designed specifically to meet the 2014 national curriculum aim,” its website states. Derrick says she’d like to make her own materials that reflect her own character, “but there just isn’t the time.”


I did a double take when I read Ofsted’s chief inspector Amanda Spielman’s criticism of teaching to the test. “We all have to ask ourselves,” she wrote in a 2018 review, “how we have created a situation where second-guessing the test can trump the pursuit of real, deep knowledge and understanding.” If my kids’ tribulations are anything to go by, not much has changed.


If children are only “parroting” knowledge, Oates tells me, “then the constellation of drivers and incentives in the system have not been correctly aligned.” Oates struck me as sensible and humane, but I couldn’t help notice his own use of jargon.


He still believes in testing. In fact, “we need far more assessment, but of a different kind and for a different purpose”: tests that “don’t hold schools to account, but are used to gain insight into what’s going on,” and especially to “identify pupils who are in need of support”—something many teachers would argue is their rightful domain.


“It’s a very long time in this country since we have had real discussions about what we want children to learn and to what purpose,” former adviser Debra Myhill tells me. She would like to see a rethink across the board, not just in literacy. “It used to be a strong field of research in the sixties and seventies. Since 1988, we’ve had curriculum after curriculum, but the design has been shaped by political ideology rather than discussions about what we want education to be for. It is a choice: we as a country decide what we think is important.”


“If I had a magic wand I would reinvent the whole thing,” teacher Carrie Derrick tells me. “I’d give teachers room to be creative, and actually do things that children like doing, and be led more by them and their sheer love of learning, rather than the need to provide evidence. That is why I’m a teacher.” Pendulum swings in education policy sap energy. But we cannot in good faith persist with a system that converts children’s natural curiosity into bafflement, strategising just to “get through,” and ultimately disengagement.


Homeschool has been gruelling. Tactfully ignoring most of the worksheets, my kids and I have learned why limestone foams in vinegar and how a valley is formed, but also what happens to an alarm clock when it is thrown across a room. Explaining how to tell the time was harder than I’d expected.


But it has also revealed what is possible. I will send them back to the classroom with relief on 8th March—but also a heavy heart. School involves an accommodation with the state. It’s basically fine, you tell yourself as you wave them off, bags on backs. It could get even worse, however, if the pandemic produces a doubling down on standards and a rush to plug attainment gaps.


What, though, if things went the other way? If enough parents were to reject what teachers have bemoaned for years, now that they’ve seen it for themselves? If pressure built to the point where all the jargon had to be stripped out and meaningful knowledge added in; if all the futile documentation, testing, inspections and league tables were abandoned and teachers liberated to speak in their own words? That really would be a silver lining.


Eliane Glaser is the author of “Elitism: A Progressive Defence” (Biteback)


(Source: Prospect)

Monday, 22 February 2021

‘The Mappila Verses’: Where do we go if our names are not in the list?

 ‘Where do coconut trees go when their roots are declared illegal?’

Following the Palestinian national poet Mahmoud Darwish’s Write me down, I am an Arab, Ajmal Khan wrote “Write me down, I am an Indian” in the wake of the CAA-NRC protests. It was translated into Hindi by lyricist Varun Grover, and into many other regional languages. The Mappila Verses is Khan’s new collection of poems.


Anonymous 16th-century Portuguese illustration from Códice Casanatense, depicting Kerala Muslims | Biblioteca Casanatense, Rome / Wikimedia Commons



Portrait of a Bastard

Your collar bone protrudes like a Somalian Child

and the arm muscles anaemic

but lungi, from the Malabar Coast.


Texture of your skin is the mixture of Pulaya and Cheruman

converted to Islam

sweat with a scent beyond Arabian sea from Dubai, Abu Dhabi or Saudi Arabia.


How do you speak English this well?
You guys rebelled against them
and boycotted even their language.


How did you get this resilient yet deep eyes

and rage? somewhat remotely similar to Palestinians and Kashmiris

You were never occupied.


Your chin remotely resembles

a clever north Indian Bania man

which disappear like a mirage.


They murmur, you are a bastard

in the confluence between the Arabian Coast

and the Malabar before Portuguese and Dutch mastered maritime.


Do bastards have documents?

Of the unholy nights

Or do they and their children and their children and their children remain bastards forever?


Where do we go?

Where should we go after the last frontiers?

Where should the birds fly after the last sky?

Where should the plants sleep after the last breath of air?

— Mahmoud Darwish


After the Isha Namaz

Chanting prayers sitting in her Musalla

Keeping her copy of Quran aside with the Thasbeeh, she asks

Where do we go if our names are not in the list?


Where do coconut trees go when their roots are declared illegal?

How does Hibiscus flower if you ask them go back where they come from?

Can you ask Tapioca to go back to Brazil?

Do you ask tea and coffee to go back where they come from?

Where do Great Pied Hornbills go when you tell monsoons are illegal to them?

Where do Mackerels and Sardines go when you inform them, they are illegal in the water?

Do Malabar elephant have identity card to enter Maasai Mara?

Where do Lion-tailed macaques go if they are asked to vacate the Silent Valley?

Can Mundakan and Puncha paddy be cultivated in Saudi Arabia?

Which water Giant Danio’s swim if rivers are made illegal to them?

Is there a list of snakes that are allowed only on the Western Ghats?

On which seas Hassinar fish if you ask him documents to enter the Arabian sea?


Where do we go?
The sword breaks my silence, she asks again

Where?
I reminded her

“For your father, Adam, was created with dirt from the surface of the earth.

You also will be returned to the earth”

We came from soil

We go to soil, until then

We live here.



Mappila Verse

The first step in liquidating a people is to erase its memory. Destroy its books, its culture, its history. Then have somebody write new books, manufacture a new culture, invent a new history. Before long that nation will begin to forget what it is and what it was... The struggle of man against power is the struggle of memory against forgetting.

— Milan Kundera


Centuries ago

Even before Baba Sahib was born

My ancestors searched for caste annihilation – they became Mappila.


Malik Dinar came to my coast with light

Cheraman Perumal – lit Diya

Cheramaan Juma Mosque – first masjid on the subcontinent

Two lights merged between the Mecca and Ponnani.


Quadi Muhammed weaved songs when Portuguese arrived

Like Cannons on my disposal

Before anyone know anything about songs of resistance on my coast.


Kunjali Marakkar, Variyankunnath and Ali Musliyar

Might sound just Muslim names for you

– the light houses of self-respect and freedom for my land.


The brave children of Eranadu and Valluvanadu who poured their blood
The land that showed chest to the cannons in 1921
The brave children of Eranadu and Valluvanadu who poured their blood
The land that showed chest to the cannons in 1921


My lullaby

Anglo-Mappila war – My bedtime stories

When my ancestors fought against the sons of the empire

On which the sun never set

On another sunset Wagon massacre paintings were removed from Tirur railway station

How do you remove the wounds?


This land is built with the blood of my ancestors

The water we drink – their sweat

Their blood on my nerve

You – stand stable on their dead bodies.


Overnight

I have become an orphan in my own home

Or it wasn’t – home?

I now dig names graves and blood stains

Of my people to get all of us free – certificates of loyalty

I stand alone at the Ghat of this country

With all the documents and history

For my citizenship approval.


On the way back

Staring at stars, the cosmos and beyond

We went to colleges and universities like curious children following constellations.

Some of us – the only one of our kind

The rest had something similar – their surnames, parents’ jobs

Or the names of the cities they hailed

The kind of dress they wore, the way they spoke English

The brands of cigarettes they smoked and the scent of their sweat.

Some dropped out

Few missing

Others came home as dead bodies like – Shambuka

Those survived were picked up and

The remaining – untouchables in the job market.

On the way back to the village

The road is long with the heavy burden of degree certificates.




Excerpted with permission from The Mappila Verses, Ajmal Khan AT, Hawakal Publishers.


(Source: Scroll)

Friday, 13 March 2020

Discovering who's behind Japan's English rail announcements

Tokyo’s train system is considered to be one of the most expansive and most reliable in the world, but it can be pretty intimidating for anglophones trying to navigate the city.

Thankfully, announcements in English can be heard on many railway lines, with narrators providing information about upcoming stations in a deliberately enunciated fashion.
Familiar voice: Australian narrator Donna Burke provides announcements in English for the Tokaido Shinkansen. | COURTESY OF DONNA BURKE
Such announcements have helped people for years, but who are the people behind the voices? Thanks to a recent post on social media, we can finally put faces to the voices we’re hearing while traveling.

Donna Burke, an Australian narrator who provides announcements in English on the Tokaido Shinkansen, posted a video on Twitter of herself with fellow narrators Chris Wells and Christelle Ciari taking turns to recite their most recognized lines on Feb. 8.

“Thank you for riding JR East,” says Wells in a deep, clear voice that is instantly recognizable. “The train arriving on track 9 is bound for Shinjuku.”


Since it was posted on Twitter, the video has received around 40,000 retweets and 75,000 likes, plus dozens of comments from fans expressing their amazement at hearing the three announcers together.

Twitter user @hikigatarijames simply said, “BEST CROSSOVER EVER.”

Another user, @xkaratepathfinderx, wrote: “Thank you for helping me get off at the right stop in Tokyo for years. Would have been screwed without the clear (and) calm English.”

“Is it only me who thinks they are in Tokyo when they hear these three voices?” asked @taka2754.

This friendly exchange with fans is exactly why Burke maintains her Twitter presence. Initially, she signed up to the social media platform as a way to stay updated following the Great East Japan Earthquake in 2011 but has since used it as a way to interact with people from around the world.

“I like hearing what fans have to say after my concerts and live jazz gigs,” Burke tells The Japan Times. “And with Google Translate to help, I can even write back!”

Besides her narration work on the shinkansen, Burke is a vocalist and voice actor for several anime and video game series, including Tokyo Ghoul, Metal Gear Solid and Silent Hill. She is also part of a quintet called Ganime Jazz, which arranges and performs songs from the games and anime worlds — Ganime, get it? — as well as producing her own solo recordings.

The nature of voice acting leaves Burke somewhat disconnected from her fans, but her viral tweets are helping more people to finally see who is speaking. She says that she’s glad she can bridge this gap using social media.

“I have always loved to bring a smile to people’s faces and spread some joy, so being recognized and perhaps recording a video with fans of either my video game songs and voices or the shinkansen voice is an extension of that,” she says.

Burke posted a video on Twitter last year of her mother riding the shinkansen, and her reaction upon hearing Burke’s voice on the train went viral and received nearly 200,000 likes on Twitter.

Burke’s mom can be seen clapping and smiling, then turns to the camera and says, “That’s my daughter talking!”

“It’s amazing for her to get such attention after working hard as a mother, grandmother and great grandmother without much of a fuss from anyone,” Burke says. “Then, finally, she got the spotlight at 84!”

Burke sometimes tries to show off her goofy side online, including a tweet from October where she tries to parrot her own shinkansen announcements. The video has so far received more than 11,000 likes.

Burke says that the best part of being active online is her followers.

“It makes me happy to make others happy and give them a giggle,” she says.

(Source: JT)