Showing posts with label extra-marital affair. Show all posts
Showing posts with label extra-marital affair. Show all posts

Saturday, 12 February 2022

An honest review of Shakun Batra’s ‘Gehraiyaan’

If ‘it’s complicated’ could have an entire movie to itself, we’d get Shakun Batra’s Gehraiyaan. It’s ‘Kapoor and Sons’ but about 40 layers deeper, and with numerous crisscrossing subplots that take you into the twisted lives of Alisha, Tia, Zain, and Karan. I am not complaining though and—as a viewer watching Deepika Padukone, Ananya Panday, Siddhant Chaturvedi, and Dhairya Karwa bring to life Batra’s layered writing—neither will you! 

All in all, Gehriaiyaan is a beautifully twisted, emotionally draining, and daringly dark take on human relationships. 


While there might be times you’ll want to rewind to catch up with the unfolding narrative, there’s a sense of mystery that will keep you hooked till the very end. 




The anchoring plotline

As shown in the several trailers up until now, Deepika’s ‘Alisha’ and Ananya’s ‘Tia’ are first cousins who grew up together. Several DVD footage-fuelled flashbacks of the two kids enjoying their summer home in Alibaug show us a fond childhood shared by the two. Yet, as the film begins, one can sense that the two central characters, now all grown up, have probably not met in years.


When they do reconnect, Tia is dating Zain (Siddhant Chaturvedi) and they have been together for nearly three years. Karan (Dhairya Karwa) and Alisha, although not as well-off as the other two, are not in a good space in their six-year-long relationship. As the story unfolds, one cannot deny the inevitable chemistry between Alisha and Zain. Herein begins the drama. 


What starts off as an escape from a loveless relationship soon turns into a twisted tale of family ties, sex-fuelled manipulation and even a jumpscare.


In the end, Gehraiyaan deals with several topics—from the fragility of human relationships to understanding the psychology of pathological liars, from mental health disorders to a sense of coming of age. There’s no denying you really need to rewind to catch up at some points.


The direction, cinematography, and screenplay

Batra’s screenplay—co-written by Ayesha Savitre, Sumit Roy, and Yash Sahai—is an ode to ageing Millennials and that quiet anxiety we’re all subconsciously dealing with. When Alisha said, “I feel stuck,” there’s no way in hell you did not feel that. This film is an embodiment of that clusterfuck feeling, with three characters bringing their own trauma to the table. 


A big part of Gehraiyaan’s effect is the subtle direction. Like the light hanging off the head when Alisha realizes she’s screamed at her dad a little too harshly or Tia’s confusion when she’s about to confront Zain—there’s realness in those moments. Kaushal Shah’s observant camera captures the undertones in their situations.


The dialogues are all superbly naturalistic as if you’re in the room with the actors. All points to the team for really thinking the small moments through—the characters react much as their situations demand and, for that, I am especially grateful!


The background score, composed by Kabeer Kapthalia and Savera Mehta, is rich and hauntingly melodious. By the end of it, you’ll not be able to imagine the film without it. They have a special power of making you feel things, I am not kidding! 


The performances

Deepika is a league of her own. Her performance is spectacular, to say the least. She carries the weight of the film and delivers a performance that cannot be easily matched. What do I even say about Ananya? I think our entire nation owes her an apology for dismissing her so quickly because, goddamn, can she act!


Dhairya's role is minimal but he plays the uninterested boyfriend role to its full capacity. Rajat Kapoor and Naseeruddin Shah too have their fair share of screen time and are always a pleasure to watch. 


It’s Siddhant Chaturvedi who is ambitious in his role as Zain. He is meant to play the suave rags-to-riches tycoon who feels no remorse for his manipulative ways, yet there are points in the film I wished someone more charming was playing the part. I missed Fawad Khan and the resilient energy he brought to our screens. 


In the end, does it even matter?

Batra really tries to outdo his last masterpiece. However, there are too many subplots and themes in the movie—perhaps trying to embody how human lives are inherently complicated. However, it would’ve been even better had the film been stretched into a three or four-part series, taking sufficient time to flesh out the details. Like the family structure that forms the core of all the dilemmas, more context for Alisha and Karan’s relationship, etc. 


At the end of it, it’s Deepika who is running the show with her hyper-real acting skills and her sidekick, the exceptional music! 


(Source: iDiva)

Thursday, 27 September 2018

Adultery no longer a criminal offence in India

India's top court has ruled adultery is no longer a crime, striking down a 158-year-old colonial-era law which it said treated women as male property.

Previously any man who had sex with a married woman, without the permission of her husband, had committed a crime.

A petitioner had challenged the law saying it was arbitrary and discriminated against men and women.
Under the law the woman could not be punished as an abettor -
the man was considered to be a seducer
It is not clear how many men have been prosecuted under the law - there is no data available.

This is the second colonial-era law struck down by India's Supreme Court this month - it also overturned a 157-year-old law which effectively criminalised gay sex in India.

While reading out the judgement on adultery, Chief Justice Dipak Misra said that while it could be grounds for civil issues like divorce, "it cannot be a criminal offence".

Who challenged the law?
Last August, Joseph Shine, a 41-year-old Indian businessman living in Italy, petitioned the Supreme Court to strike down the law. He argued that it discriminated against men by only holding them liable for extra-marital relationships, while treating women like objects.

"Married women are not a special case for the purpose of prosecution for adultery. They are not in any way situated differently than men," his petition said.

The law, Mr Shine said, also "indirectly discriminates against women by holding an erroneous presumption that women are the property of men".

In his 45-page petition, Mr Shine liberally quotes from American poet Ralph Waldo Emerson, women rights activist Mary Wollstonecraft and former UN Secretary General Kofi Annan on gender equality and the rights of women.

However, India's ruling BJP government had opposed the petition, insisting that adultery should remain a criminal offence.

"Diluting adultery laws will impact the sanctity of marriages. Making adultery legal will hurt marriage bonds," a government counsel told the court, adding that "Indian ethos gives paramount importance to the institution and sanctity of marriage".

What did the adultery law say?
The law dictated that the woman could not be punished as an abettor. Instead, the man was considered to be a seducer.

It also did not allow women to file a complaint against an adulterous husband.

A man accused of adultery could be sent to a prison for a maximum of five years, made to pay a fine, or both.

And although there is no information on actual convictions under the law, Kaleeswaram Raj, a lawyer for the petitioner, said the adultery law was "often misused" by husbands during matrimonial disputes such as divorce, or civil cases relating to wives receiving maintenance.

"Men would often file criminal complaints against suspected or imagined men who they would allege were having affairs with their wives. These charges could never be proved, but ended up smearing the reputations of their estranged or divorced partners," he told the BBC.

Previous pleas were dismissed by the court in the interests of "stability of marriages"
Interestingly, Indian folklore and epics are full of stories about extra-marital love. Most love poems in Sanskrit, according to scholar J Moussaief Masson, are "about illicit love".

But Manusmriti, an ancient Hindu text, says: "If men persist in seeking intimate contact with other men's wives, the king should brand them with punishments that inspire terror and banish them".

What did the judges say?
All five Supreme Court judges hearing the case said the law was archaic, arbitrary and unconstitutional.

"Husband is not the master of wife. Women should be treated with equality along with men," Chief Justice Misra said.

Judge Rohinton Nariman said that "ancient notions of man being perpetrator and woman being victim no longer hold good".

Justice DY Chandrachud said the law "perpetuates subordinate status of women, denies dignity, sexual autonomy, is based on gender stereotypes".

He said the law sought to "control sexuality of woman (and) hits the autonomy and dignity of woman".

Critics have called the law "staggeringly sexist", "'crudely anti-woman'", and "'violative of the right to equality'".

"The legal system should not regulate whom one sleeps with," wrote Rashmi Kalia, who teaches law.

The main concern, according to the respected journal Economic and Political Weekly, is "not whether the expectations of fidelity in a marriage are right or wrong, or whether adultery denotes sexual freedom."

"It is whether the state can and should monitor a relationship between adults that is too complex, sensitive and individual for it to be capable of doing in a just manner," the journal wrote in a recent editorial.

Where else is adultery a criminal offence?

The latest challenge was made in view of the "changed social conditions"
Adultery is considered illegal in 21 American states, including New York, although surveys show that while most Americans disapprove of adultery, they don't think of it as a crime.

"The criminal statutes remain in force for largely symbolic reasons, and there isn't enough enforcement risk for anyone to incur the political costs of repealing them," Deborah Rhode, a a professor of law at Stanford University and the author of Adultery: Infidelity and the Law told the BBC.

Adultery is prohibited in Sharia or Islamic Law, so it is a criminal offence in Islamic countries such as Iran, Saudi Arabia, Afghanistan Pakistan, Bangladesh and Somalia.

Taiwan punishes adultery by up to a year in prison and it is also deemed a crime in Indonesia. In fact, Indonesia is drafting laws that prohibit all consensual sex outside the institution of marriage.

In 2015, South Korea's Supreme Court struck down a similar law where a man could be sent to prison for two years or less for adultery. The court said the law violated self-determination and privacy.

More than 60 countries around the world had done away with laws that made adultery a crime, according to Indian lawyer Kaleeswaram Raj.

In the UK, adultery is not a criminal offence and like many other countries, one of the main reasons given for divorce.

Couples cannot use adultery as a ground for divorce if they lived together as a couple for six months after the infidelity was known about.

Have there been previous challenges to the law?
In 1954, the law was first challenged by a petitioner asking why women cannot be punished for the offence, and that such "exemption was discriminatory".

Critics have called the law "violative of right to equality"
The Supreme Court rejected the plea.

Since then, the top court has rejected similar pleas, including the constitutional validity of the law, at least twice - 1985 and 1988.

"The stability of marriage is not an ideal to be scorned," a judge said in 1985.

A married woman had approached the court, demanding the right to file a complaint of adultery against her husband's unmarried lover. The court, rather patronisingly, described the plea as a "crusade by a woman against a woman".

It said the law was about punishing the "outsider" who "breaks into the matrimonial home" and "violates its sanctity".

Two different panels on law reforms in 1971 and 2003 recommended that women should also be prosecuted for the offence.

"The society abhors marital infidelity. Therefore there is no good reason for not meting out similar treatment to the wife who has sexual intercourse with a married man," the 2003 panel, led by a judge, said.

In 2011, the top court, hearing another plea, said the law was facing criticism for "showing a strong gender bias, it makes the position of a married woman almost as a property of her husband".

What has the reaction been to the latest ruling?
Many Indians were not even aware the law existed. However, after Thursday's ruling, people have been largely supportive of the verdict.

Others said the top court should now move to make marital rape a criminal offence:
But a few felt that the law should have been made gender neutral instead of being struck down:

(Source: BBC) 

Thursday, 14 December 2017

Woman kills husband, pours acid on lover's face. Why? Aadhaar helps find answer

A woman in Telangana murdered her husband, poured acid on her boyfriend's face so as to help him get a plastic surgery to look like her husband - and live happily ever after.

A Telangana woman took inspiration from a famous Telugu movie and how.

Swathi, a married woman from Nagarkurnool district of Telangana, inspired by the Telugu film 'Yevadu' tried to pull off the same plot in real life to kill her husband and live life with her paramour.
Here is the sequence of events:

Swathi Reddy, along with her boyfriend, murdered her husband Sudhakar Reddy and burned his body in a forest.

Then, as planned, Swathi poured acid on her boyfriend Rajesh's face to disfigure him beyond recognition. She then called her husband's family, informing them that their son has met with an accident.

The family, along with Swathi, rushed her boyfriend, now posing as Sudhakar, to the hospital for plastic surgery.

After the surgery, Sudhakar's family got suspicious of their 'son's behaviour' and called the police.
The police used the imposter's fingerprints to match with Sudhakar's Aadhaar details, to ascertain his identity.

This finally busted Swathi and her boyfriend's plot.

The investigation revealed that the two had killed Sudhakar on November 26 and since then had been planning to further their conspiracy.

Unaware of this sinister plan, Sudhakar's family rushed their 'son' to a hospital in Hyderabad, only to learn that his body had already been burnt and discarded in a dump.

Both Swathi and her boyfriend Rajesh have been arrested and sent to judicial custody.

(Source: India Today)

Monday, 11 December 2017

Why is only the man liable for adultery, asks Indian Supreme Court

The court said that Section 497 of the Indian Penal Code goes against gender neutrality and treats women like chattel.

The Supreme Court on Friday issued a notice to the Centre challenging the validity of Section 497 of the Indian Penal Code, which says that only a man is liable for adultery, Bar and Bench reported. The court has sought a reply from the Centre in four weeks.

A bench headed by Chief Justice of India Dipak Misra and Justices AM Khanwilkar and DY Chandrachud issued the notice after hearing a petition that questioned the section’s constitutionality. It asked why a married woman, who is equally liable for committing adultery with another married man, is not punished along with the man.

According to the section in the IPC, a man can be punished with up to five years in jail or a penalty or both if he has sexual intercourse with the wife of another person. However, the wife shall not be punishable as an abettor of the crime.


Observing that the section relieves the woman of any liability, the bench said, “Though the act is hypothetically capable of being committed by both the man and the woman, only one is liable for criminal offence.”

The court also said that the provision goes against gender neutrality and treats women like chattel. “It is perceivable from the language of the provision, the fulcrum of offence is destroyed once the consent of husband is obtained,” the court said. “Viewed from that scenario, the provision creates a dent on the independent identity of women.”

The Supreme Court had in 2011 said that the adultery law is biased against men. The provision reduces a married woman to a property of the husband, it had said. It also said that punishment is meted out to only the man, though the woman with whom he had consensual sex was an equal partner in the alleged crime.

(Source: Scroll)

Tuesday, 5 December 2017

The other woman speaks

Therapists’ waiting rooms are hushed, intimate spaces. You don’t make eye contact. You silently pray that you don’t see anyone you know. You get good at the thousand-yard stare, waiting for your session to begin.

Which is why Benjamin Hertwig’s Modern Love essay, “In the Waiting Room of Estranged Spouses,” published in March 2016, was so memorable. Sitting outside the office of a therapist, where he had gone to work through the end of his marriage, Mr. Hertwig spotted another waiting patient, a woman he recognized. More than that: He went over to her and blurted, “Are you the wife of the guy my wife is having an affair with?”

The therapist and her receptionist rushed over to separate the two patients, as if they might be irreparably scarred if they came in contact with each other. The therapist told Mr. Hertwig later that in all her years practicing, she had never seen anything like it. But, as Mr. Hertwig wrote, he and the woman, then identified only as “Catherine,” did meet later at a cafe to talk about their estranged spouses’ affair and the swirl of emotions it had stirred up in each of them.

The essay was a reminder that there are two sides to every story, or perhaps four, in this case. We learn about Mr. Hertwig’s pain and confusion and surprise, but what of Catherine? What had she made of being confronted by Mr. Hertwig in the therapist’s office? How did the cafe meeting go, from her perspective?

“It was a time when I had so many questions and so few answers,” said Catherine Chaulk, reached by phone. “I so desperately wanted to understand any part of it. I was just so confused.”

Ms. Chaulk was 28 and had been married just shy of five years when she learned of her husband’s infidelity. She had gone to see the therapist, she said, because she and her husband had met with the woman previously for marriage counseling. Ms. Chaulk wanted to get answers from someone who knew and understood her situation. It turned out that person was not the therapist, but Mr. Hertwig.

Indeed, one ponders the mysterious ways of chance and fate after learning that Ms. Chaulk visited the therapist just once (after couples counseling). Meeting Mr. Hertwig that day in the waiting room was “a total fluke” and “surreal,” she said.

She found talking with the husband of the woman that her husband was having an affair with more therapeutic than any therapy session.

Benjamin Hertwig Credit Céline Chuang
For one thing, she was able, through Mr. Hertwig, to “piece together some of the timeline,” she said, to better know what had happened by comparing their spouses’ behavior and schedules over the previous months. “I’ll never get the full story,” she said. “But having some sense helped me find some closure and move on.”

It also helped that Mr. Hertwig knew exactly what she was going through because he was going through it, too. “With some of my friends, they were so angry on my behalf and I didn’t want the anger,” Ms. Chaulk said. “Whereas Benjamin and I could express a wide spectrum of feelings. It was a safe place to do it, and more productive.”

Mr. Hertwig, looking back on the encounter four years later, had a similar assessment of his conversations with Ms. Chaulk, who had “experienced the flip side of the coin,” he said. Being able to talk to her likewise for him made the therapist largely unnecessary. What was more helpful, he said, was “the feeling of looking across at someone who had experienced much of what I experienced and felt what I had felt.”

Mr. Hertwig is a former soldier who had served in Afghanistan, a difficult experience he was struggling with. In his essay, he said he was “attracted to her strength — maybe to her as well.” How did Ms. Chaulk feel in that moment?

For so long in her relationship with her husband, she said, “I’d been lying to my friends and everyone, pretending all was well when it wasn’t. During that time in the cafe, I was willing to look it in the eye and embrace it and make a plan. That was the first time I was honest with myself and how I was feeling.”

If she felt a similar romantic spark toward Mr. Hertwig, it was because they were communicating honestly, she said, “and because we so clearly were on the same page. We had some very similar values. Being able to share that with someone was intimate in its own way.”

These days, Ms. Chaulk is a nurse in the same Canadian city where the story takes place. She is divorced from her husband, with whom she shares custody of their son, and is currently in a long-term relationship.

Every now and then, she said, she dusts off Mr. Hertwig’s essay. “Rereading it puts me back in a place where I was the most honest I’ve been with myself,” Ms. Chaulk said. “I use that story as a checkpoint so that I maintain that.”

Mr. Hertwig is now a Ph.D. student in English in Vancouver, British Columbia. He said he has more emotional distance from both his divorce and his military service, and better understands how the two were interconnected. He recently published a book of poetry, “Slow War,” that deals with these topics.

Mr. Hertwig is no longer in contact with his ex-wife. He has been dating the same woman for several years, and he also communicates with Ms. Chaulk every so often through Facebook. Despite their brief interaction, and the unhappy circumstances under which it took place, Mr. Hertwig said he will always feel “linked” to her, even as the years pass.

“Because however brief, it was important to me,” he said.

(Source: NYT)

Sunday, 12 November 2017

'Lakshmi': A short film on a woman's extramarital affair

When we can accept films like 'Sindhu Bhairavi', 'Chinna Veedu' and others, why not 'Lakshmi'?

A Tamil short film titled Lakshmi has created a furore on social media since it was uploaded 10 days ago by Ondraga Entertainment.

Directed by Sarjun KM, the film is about a woman, Lakshmi (actor Lakshmi), who has an extramarital affair. It's pretty straightforward why she decides to have this fling - Lakshmi is in an abusive marriage where her husband only treats her as a cook and caretaker. Lakshmi is like the pressure cooker with which she begins her day, building up steam and threatening to burst any moment.

Her husband's callousness extends to the bed where he only thinks about his pleasure and rolls off as soon as he's done. He seems to have another woman in his life as well - there's a phone call from a woman who hangs up when Lakshmi answers and her husband refuses to give her an explanation.

Then, Lakshmi sees an attractive man on the train. Circumstances bring them closer and after a conversation in which he seems to be genuinely interested in her, Lakshmi goes home with him for a night.

The ending of the film is a bit ambiguous - does taking the bus mean she will meet the man again, since it's at the bus-stop that they first have a real conversation? Or does it mean it was a one night stand since her regular transport is the train where she used to see him? At any rate, from the black and white grind of her routine, her world turns colourful when she meets him.


The film is not without its flaws. Lakshmi's "saviour", a stereotypical "artist", comes spouting lines from Bharathiyar as characters from Tamil films always do when they are out to "liberate" a woman. He makes her stand before the mirror and unwinds her tight plait, loosening her hair to make her see for herself what she could be (a faint echo of Mahendra Baahubali making Avantika aware of the "real woman" within her). The film would have worked better if Lakshmi's self-discovery had happened because she makes that internal journey herself - this is what sets apart films like English Vinglish and Queen.

Nevertheless, Lakshmi is an attempt to show a woman's desire to flout the rules to seek her own happiness.

A volley of abuse, objections
This little film, less than 20 minutes long, has unleashed a barrage of abuse and divided opinions from several social media users who've said that Lakshmi's decision is not "women's empowerment". Still others have objected to using Bharathiyar's words to "justify" an extramarital affair.

Does feminism encourage extramarital relationships? No. However, feminism does encourage people of all genders to expect equality in relationships and the right to happiness. Feminism also refuses to pitch marriage as a woman's destiny and acknowledges the patriarchal ideas that sustain the institution of marriage.

The first question her husband asks when she says she's stuck somewhere and can only return in the morning is, 'Then who will make breakfast?'. Considering Lakshmi is in a dead-end marriage, it's ludicrous that the film has upset so many people who have condemned it in strong words. While showing the woman's perspective of an unhappy marriage is fresh, the justification for why she decides to explore her life and sexuality outside the institution is on safe, conventional lines.

History of ‘forgiving’ a man’s extramarital affair
The anger is especially incongruous when Tamil cinema has had a long history of "chinna veedu" or "stepney" (phrases that refer to the "other" woman in an extramarital fling) humour. In fact, this idea of comedy extends to a man treating his wife's younger sister as a "chinna veedu" too.

Further, there are many celebrated films like Sindhu Bhairavi, Gopurangal Saivathillai, Sathi Leelavathi, Rettaivaal Kuruvi, and Chinna Veedu (among others) which have had the hero have an extramarital affair without receiving condemnation. In the end, all is forgiven and the "family" is restored.

In Agni Natchathiram, even though the father is berated by his sons from two different marriages for his deeds, they rally around him when his life is in danger. Films like Marupadiyum, where the woman refuses to take back a husband who cheats on her, have been extremely rare.

Ironically, the female leads in many of these films have been lauded as "strong" women characters while Lakshmi, who does what the male characters in these films have done (with a stronger justification for it to boot), has been condemned.

Does feminism mean women have to imitate the "wrongs" that men do? Certainly not. But feminism insists that you don't have different standards of judgment for the genders.

When we've celebrated years and years of men having the cake and eating it too in popular culture, why is a woman crossing the line upsetting people so much? The anger comes from the fear that the bedrock of patriarchal values, which make up our society, has been threatened. The people outraging about the film should admit this instead of the whataboutery of 'real' women's empowerment. As if they care.

(Source: TNM)

Thursday, 9 November 2017

Qatar Airways plane forced to land after wife discovers husband's affair midflight

A Qatar Airways plane has been forced to land midflight after a woman who used her sleeping husband’s thumb to unlock his smartphone discovered he was having an affair. Woman reportedly made ‘such a ruckus’ after discovery that plane had no other choice but to make unscheduled landing

A Qatar Airways plane has been forced to land midflight after a woman who used her sleeping husband’s thumb to unlock his smartphone discovered he was having an affair.

The couple and their child were flying to Bali, Indonesia, for a holiday after boarding in Doha. The woman repeatedly hit her husband after learning of his infidelity and the captain was forced to make an unscheduled stop in Chennai, India, when the cabin crew was unable to restore order.

The family was then taken to a detention centre at the airport as they did not have an Indian visa before being put on a flight to Kuala Lumpur.

“The Qatar Airways flight QR-962 (Doha-Bali) was diverted to Chennai after the pilot requested it citing unruly passenger on board as the reason,” an officer from India’s central industrial security force (CISF) told the Hindustan Times, which first reported the incident.

“The woman and her husband, along with their child, were offloaded and the flight departed for Bali.”
The woman learned of her husband’s infidelity after using his thumb to unlock his phone while he was sleeping.
Photograph: Michael Probst/AP
 The newspaper said the plane’s crew failed to calm the wife, who it said was an Iranian national. “The woman had unlocked her husband’s phone using his thumb impression when he was sleeping and then blew her top after discovering his infidelity,” it reported.

The Times of India said the Iranian woman made “such a ruckus” that the plane had no other choice but to make an unscheduled landing.

The family spent the day at Chennai airport and left for Malaysia on a Batik Air flight at 10.30pm.

Qatar Airways declined to comment in order to protect its passengers’ privacy.

(Source: The Guardian)

Wednesday, 13 September 2017

Why happy people cheat

A good marriage is no guarantee against infidelity, writes ESTHER PEREL in the Atlantic. Read on: 

Most descriptions of troubled marriages don’t seem to fit my situation,” Priya insists. “Colin and I have a wonderful relationship. Great kids, no financial stresses, careers we love, great friends. He is a phenom at work, fucking handsome, attentive lover, fit, and generous to everyone, including my parents. My life is good.” Yet Priya is having an affair. “Not someone I would ever date—ever, ever, ever. He drives a truck and has tattoos. It’s so clichéd, it pains me to say it out loud. It could ruin everything I’ve built.”

Priya is right. Few events in the life of a couple, except illness and death, carry such devastating force. For years, I have worked as a therapist with hundreds of couples who have been shattered by infidelity. And my conversations about affairs have not been confined within the cloistered walls of my therapy practice; they’ve happened on airplanes, at dinner parties, at conferences, at the nail salon, with colleagues, with the cable guy, and of course, on social media. From Pittsburgh to Buenos Aires, Delhi to Paris, I have been conducting an open-ended survey about infidelity.

Adultery has existed since marriage was invented, yet this extremely common act remains poorly understood. Around the globe, the responses I get when I mention infidelity range from bitter condemnation to resigned acceptance to cautious compassion to outright enthusiasm. In Paris, the topic brings an immediate frisson to a dinner conversation, and I note how many people have been on both sides of the story. In Bulgaria, a group of women I met seem to view their husbands’ philandering as unfortunate but inevitable. In Mexico, women I spoke with proudly see the rise of female affairs as a form of social rebellion against a chauvinistic culture that has long made room for men to have “two homes,” la casa grande y la casa chica—one for the family, and one for the mistress. Infidelity may be ubiquitous, but the way we make meaning of it—how we define it, experience it, and talk about it—is ultimately linked to the particular time and place where the drama unfolds.


In contemporary discourse in the United States, affairs are primarily described in terms of the damage caused. Generally, there is much concern for the agony suffered by the betrayed. And agony it is—infidelity today isn’t just a violation of trust; it’s a shattering of the grand ambition of romantic love. It is a shock that makes us question our past, our future, and even our very identity. Indeed, the maelstrom of emotions unleashed in the wake of an affair can be so overwhelming that many psychologists turn to the field of trauma to explain the symptoms: obsessive rumination, hypervigilance, numbness and dissociation, inexplicable rages, uncontrollable panic.

Intimate betrayal hurts. It hurts badly. If Priya’s husband, Colin, were to stumble upon a text, a photo, or an email that revealed his wife’s dalliance, he would be devastated. And thanks to modern technology, his pain would likely be magnified by an archive of electronic evidence of her duplicity. (I am using pseudonyms to protect the privacy of my clients and their families.)

The damage that infidelity causes the aggrieved partner is one side of the story. For centuries, when affairs were tacitly condoned for men, this pain was overlooked, since it was mostly experienced by women. Contemporary culture, to its credit, is more compassionate toward the jilted. But if we are to shed new light on one of our oldest behaviors, we need to examine it from all sides. In the focus on trauma and recovery, too little attention is given to the meanings and motives of affairs, to what we can learn from them. Strange as it may seem, affairs have a lot to teach us about marriage—what we expect, what we think we want, and what we feel entitled to. They reveal our personal and cultural attitudes about love, lust, and commitment—attitudes that have changed dramatically over the past 100 years.


Affairs are not what they used to be because marriage is not what it used to be. For much of history, and in many parts of the world today, marriage was a pragmatic alliance that ensured economic stability and social cohesion. A child of immigrants, Priya surely has relatives whose marital options were limited at best. For her and Colin, however, as for most modern Western couples, marriage is no longer an economic enterprise but rather a companionate one—a free-choice engagement between two individuals, based not on duty and obligation but on love and affection.

Never before have our expectations of marriage taken on such epic proportions. We still want everything the traditional family was meant to provide—security, respectability, property, and children—but now we also want our partner to love us, to desire us, to be interested in us. We should be best friends and trusted confidants, and passionate lovers to boot.

Contained within the small circle of the wedding band are vastly contradictory ideals. We want our chosen one to offer stability, safety, predictability, and dependability. And we want that very same person to supply awe, mystery, adventure, and risk. We expect comfort and edge, familiarity and novelty, continuity and surprise. We have conjured up a new Olympus, where love will remain unconditional, intimacy enthralling, and sex oh so exciting, with one person, for the long haul. And the long haul keeps getting longer.

We also live in an age of entitlement; personal fulfillment, we believe, is our due. In the West, sex is a right linked to our individuality, our self-actualization, and our freedom. Thus, most of us now arrive at the altar after years of sexual nomadism. By the time we tie the knot, we’ve hooked up, dated, cohabited, and broken up. We used to get married and have sex for the first time. Now we get married and stop having sex with others. The conscious choice we make to rein in our sexual freedom is a testament to the seriousness of our commitment. By turning our back on other loves, we confirm the uniqueness of our “significant other”: “I have found The One. I can stop looking.” Our desire for others is supposed to miraculously evaporate, vanquished by the power of this singular attraction.

In session after session, I meet people who assure me, “I love my wife/my husband. We are best friends and happy together,” and then say: “But I am having an affair.”
At so many weddings, starry-eyed dreamers recite a list of vows, swearing to be everything to each other, from soul mate to lover to teacher to therapist. “I promise to be your greatest fan and your toughest adversary, your partner in crime, and your consolation in disappointment,” says the groom, with a tremble in his voice. Through her tears, the bride replies, “I promise faithfulness, respect, and self-improvement. I will not only celebrate your triumphs, I will love you all the more for your failures.” Smiling, she adds, “And I promise to never wear heels, so you won’t feel short.”

In such a blissful partnership, why would we ever stray? The evolution of committed relationships has brought us to a place where we believe infidelity shouldn’t happen, since all the reasons have been removed; the perfect balance of freedom and security has been achieved.

And yet, it does. Infidelity happens in bad marriages and in good marriages. It happens even in open relationships where extramarital sex is carefully negotiated beforehand. The freedom to leave or divorce has not made cheating obsolete. So why do people cheat? And why do happy people cheat?

Priya can’t explain it. She vaunts the merits of her conjugal life, and assures me that Colin is everything she always dreamed of in a husband. Clearly she subscribes to the conventional wisdom when it comes to affairs—that diversions happen only when something is missing in the marriage. If you have everything you need at home—as modern marriage promises—you should have no reason to go elsewhere. Hence, infidelity must be a symptom of a relationship gone awry.

The symptom theory has several problems. First, it reinforces the idea that there is such a thing as a perfect marriage that will inoculate us against wanderlust. But our new marital ideal has not curbed the number of men and women who wander. In fact, in a cruel twist of fate, it is precisely the expectation of domestic bliss that may set us up for infidelity. Once, we strayed because marriage was not supposed to deliver love and passion. Today, we stray because marriage fails to deliver the love and passion it promised. It’s not our desires that are different today, but the fact that we feel entitled—even obligated—to pursue them.

Second, infidelity does not always correlate neatly with marital dysfunction. Yes, in plenty of cases an affair compensates for a lack or sets up an exit. Insecure attachment, conflict avoidance, prolonged lack of sex, loneliness, or just years of rehashing the same old arguments—many adulterers are motivated by domestic discord. And then there are the repeat offenders, the narcissists who cheat with impunity simply because they can.

However, therapists are confronted on a daily basis with situations that defy these well-documented reasons. In session after session, I meet people like Priya—people who assure me, “I love my wife/my husband. We are best friends and happy together,” and then say: “But I am having an affair.”


Many of these individuals were faithful for years, sometimes decades. They seem to be well balanced, mature, caring, and deeply invested in their relationship. Yet one day, they crossed a line they never imagined they would cross. For a glimmer of what?

The more I’ve listened to these tales of improbable transgression—from one-night stands to passionate love affairs—the more I’ve sought alternate explanations. Once the initial crisis subsides, it’s important to make space for exploring the subjective experience of an affair alongside the pain it can inflict. To this end, I’ve encouraged renegade lovers to tell me their story. I want to understand what the affair means for them. Why did you do it? Why him? Why her? Why now? Was this the first time? Did you initiate? Did you try to resist? How did it feel? Were you looking for something? What did you find?

One of the most uncomfortable truths about an affair is that what for Partner A may be an agonizing betrayal may be transformative for Partner B. Extramarital adventures are painful and destabilizing, but they can also be liberating and empowering. Understanding both sides is crucial, whether a couple chooses to end the relationship or intends to stay together, to rebuild and revitalize.

In taking a dual perspective on such an inflammatory subject, I’m aware that I risk being labeled “pro-affair,” or accused of possessing a compromised moral compass. Let me assure you that I do not approve of deception or take betrayal lightly. I sit with the devastation in my office every day. But the intricacies of love and desire don’t yield to simple categorizations of good and bad, victim and perpetrator. Not condemning does not mean condoning, and there is a world of difference between understanding and justifying. My role as a therapist is to create a space where the diversity of experiences can be explored with compassion. People stray for a multitude of reasons, I have discovered, and every time I think I have heard them all, a new variation emerges.

Half-fascinated and half-horrified, Priya tells me about her steamy assignations with her lover: “We have nowhere to go, so we are always hiding in his truck or my car, in movie theaters, on park benches—his hands down my pants. I feel like a teenager with a boyfriend.” She can’t emphasize enough the high-school quality of it all. They have had sex only half a dozen times during the whole relationship; it’s more about feeling sexy than having sex. Unaware that she is giving voice to one of the most common experiences of the unfaithful, she tells me, “It makes me feel alive.”

As I listen to her, I start to suspect that her affair is about neither her husband nor their relationship. Her story echoes a theme that has come up repeatedly in my work: affairs as a form of self-discovery, a quest for a new (or lost) identity. For these seekers, infidelity is less likely to be a symptom of a problem, and more likely an expansive experience that involves growth, exploration, and transformation.

“Expansive?!,” I can hear some people exclaiming. “Self-discovery?! Cheating is cheating, whatever fancy New Age labels you want to put on it. It’s cruel, it’s selfish, it’s dishonest, and it’s abusive.” Indeed, to the one who has been betrayed, it can be all these things. Intimate betrayal feels intensely personal—a direct attack in the most vulnerable place. And yet I often find myself asking jilted lovers to consider a question that seems ludicrous to them: What if the affair had nothing to do with you?

Sometimes when we seek the gaze of another, it’s not our partner we are turning away from, but the person we have become. We are not looking for another lover so much as another version of ourselves. The Mexican essayist Octavio Paz described eroticism as a “thirst for otherness.” So often, the most intoxicating “other” that people discover in an affair is not a new partner; it’s a new self.

To doggedly look for marital flaws in order to understand cases like Priya’s is an example of what’s known as the “streetlight effect”: A drunk man searches for his missing keys not where he dropped them but where the light is. Human beings have a tendency to look for the truth in the places where it is easiest to search rather than the places where it’s likely to be.

Perhaps this explains why so many people subscribe to the symptom theory. Blaming a failed marriage is easier than grappling with our existential conundrums, our longings, our ennui. The problem is that, unlike the drunk, whose search is futile, we can always find problems in a marriage. They just may not be the right keys to unlock the meaning of the affair.

A forensic examination of Priya’s marriage would surely yield something—her disempowered position as the partner who earns less; her tendency to repress anger and avoid conflict; the claustrophobia she sometimes feels; the gradual merging of two individuals into a “we,” as in, Did we like that restaurant? If she and I had taken that route, we may have had an interesting chat, but not the one we needed to have. The fact that a couple has “issues” doesn’t mean that those issues led to the affair.

“I think this is about you, not your marriage,” I suggest to Priya. “So tell me about yourself.”

“I’ve always been good. Good daughter, good wife, good mother. Dutiful. Straight A’s.” Coming from a traditional family of modest means, for Priya, What do I want? has never been separated from What do they want from me? She never partied, drank, or stayed out late, and she smoked her first joint at 22. After college, she married the right guy, and helped to support her family, as so many children of immigrant parents do. Now she is left with a nagging question: If I’m not perfect, will they still love me? A voice in her head wonders what life is like for those who are not so “good.” Are they more lonely? More free? Do they have more fun?

Priya’s affair is neither a symptom nor a pathology; it’s a crisis of identity, an internal rearrangement of her personality. In our sessions, we talk about duty and desire, about age and youth. Her daughters are becoming teenagers and enjoying a freedom she never knew. Priya is at once supportive and envious. As she nears the mid-century mark, she is having her own belated adolescent rebellion.

These explanations may seem superficial—petty First World problems, or rationalizations for immature, selfish, hurtful behavior. Priya has said as much herself. We both agree that her life is enviable. And yet, she is risking it all. That’s enough to convince me not to make light of her behavior. If I can help her make sense of her actions, maybe we can figure out how she can end the affair for good—since that’s the outcome she says she wants. It’s clear this is not a love story that was meant to become a life story (which some affairs truly are). This started as an affair and will end as such—hopefully without destroying Priya’s marriage in the process.


Secluded from the responsibilities of everyday life, the parallel universe of the affair is often idealized, infused with the promise of transcendence. For some people, like Priya, it is a world of possibility—an alternate reality in which they can reimagine and reinvent themselves. Then again, it is experienced as limitless precisely because it is contained within the limits of its clandestine structure. It is a poetic interlude in a prosaic life.

Forbidden-love stories are utopian by nature, especially in contrast with the mundane constraints of marriage and family. A prime characteristic of this liminal universe—and the key to its irresistible power—is that it is unattainable. Affairs are by definition precarious, elusive, and ambiguous. The indeterminacy, the uncertainty, the not knowing when we’ll see each other again—feelings we would never tolerate in our primary relationship—become kindling for anticipation in a hidden romance. Because we cannot have our lover, we keep wanting. It is this just-out-of-reach quality that lends affairs their erotic mystique and keeps the flame of desire burning. Reinforcing this segregation of the affair from reality is the fact that many, like Priya, choose lovers who either could not or would not become a life partner. By falling for someone from a very different class, culture, or generation, we play with possibilities that we would not entertain as actualities.

Few of these types of affairs withstand discovery. One would think that a relationship for which so much was risked would survive the transition into daylight. Under the spell of passion, lovers speak longingly of all the things they will be able to do when they are finally together. Yet when the prohibition is lifted, when the divorce comes through, when the sublime mixes with the ordinary and the affair enters the real world, what then? Some settle into happy legitimacy, but many more do not. In my experience, most affairs end, even if the marriage ends as well. However authentic the feelings of love, the dalliance was only ever meant to be a beautiful fiction.

The affair lives in the shadow of the marriage, but the marriage also lives in the center of the affair. Without its delicious illegitimacy, can the relationship with the lover remain enticing? If Priya and her tattooed beau had their own bedroom, would they be as giddy as they are in the back of his truck?

The quest for the unexplored self is a powerful theme of the adulterous narrative, with many variations. Priya’s parallel universe has transported her to the teenager she never was. Others find themselves drawn by the memory of the person they once were. And then there are those whose reveries take them back to the missed opportunity, the one that got away, and the person they could have been. The sociologist Zygmunt Bauman wrote that in modern life,

there is always a suspicion … that one is living a lie or a mistake; that something crucially important has been overlooked, missed, neglected, left untried and unexplored; that a vital obligation to one’s own authentic self has not been met, or that some chances of unknown happiness completely different from any happiness experienced before have not been taken up in time and are bound to be lost forever.

Bauman speaks to our nostalgia for unlived lives, unexplored identities, and roads not taken. As children, we have the opportunity to play at other roles; as adults, we often find ourselves confined by the ones we’ve been assigned or the ones we have chosen. When we select a partner, we commit to a story. Yet we remain forever curious: What other stories could we have been part of? Affairs offer us a view of those other lives, a peek at the stranger within. Adultery is the revenge of the deserted possibilities.

Dwayne had always cherished memories of his college sweetheart, Keisha. She was the best sex he’d ever had, and she still featured prominently in his fantasy life. They’d both known they were too young to commit, and parted reluctantly. Over the years, he had often asked himself what would have happened had their timing been different.

Enter Facebook. The digital universe offers unprecedented opportunities to reconnect with people who exited our lives long ago. Never before have we had so much access to our exes, and so much fodder for our curiosity. “Whatever happened to so-and-so?” “I wonder if she ever got married?” “Is it true he’s having difficulties in his relationship?” “Is she still as cute as I remember?” The answers are a click away. One day, Dwayne searched for Keisha’s profile. Lo and behold, they were both in the same city. She, still hot, was divorced. He, on the other hand, was happily married, but his curiosity got the better of him and “Add Friend” soon turned into a secret girlfriend.

It seems to me that in the past decade, affairs with exes have proliferated, thanks to social media. These retrospective encounters occur somewhere between the known and the unknown—bringing together the familiarity of someone you once knew with the freshness created by the passage of time. The flicker with an old flame offers a unique combination of built-in trust, risk taking, and vulnerability. In addition, it is a magnet for our lingering nostalgia. The person I once was, but lost, is the person you once knew.


Priya is mystified and mortified by how she is putting her marriage on the line. The constraints she is defying are also the commitments she cherishes. But that’s precisely where the power of transgression lies: in risking the very things that are most dear to us. No conversation about relationships can avoid the thorny topic of rules and our all-too-human desire to break them. Our relationship to the forbidden sheds a light on the darker and less straightforward aspects of our humanity. Bucking the rules is an assertion of freedom over convention, and of self over society. Acutely aware of the law of gravity, we dream of flying.

Priya often feels like she’s a walking contradiction—alternately dismayed by her reckless behavior and enchanted by her daredevil attitude; tormented by fear of discovery and unable (or unwilling) to put a stop to the affair. She is bewitched by this thought: What if just this once, I act as if the rules don’t apply to me?

Our conversations help Priya bring clarity to her confusing picture. She is relieved that we don’t have to pick apart her relationship with Colin. But having to assume full responsibility leaves her heavy with guilt: “The last thing I’ve ever wanted to do is hurt him. If he knew, he would be crushed. And knowing that it had nothing to do with him wouldn’t make a difference. He would never believe it.”

She may be right. Perhaps knowing what motivated his wife’s duplicity would do nothing to alleviate Colin’s pain. Or perhaps it would. Even after decades of this work, I still cannot predict what people will do when they discover a partner’s infidelity. Some relationships collapse upon the discovery of a fleeting hookup. Others exhibit a surprisingly robust capacity to bounce back even after extensive treachery.

I often say to my patients that if they could bring into their marriage one-tenth of the boldness and the playfulness that they bring to their affair, their home life would feel quite different.
Priya has tried to end her affair several times. She deletes her lover’s phone number, drives a different route home from dropping the kids off at school, tells herself how wrong this entire thing is. But the self-imposed cutoffs become new and electrifying rules to break. Three days later, the fake name is back in her phone. Yet her torment is mounting in proportion to the risks she is taking. She’s beginning to feel the corroding effects of the secret, and getting sloppier by the day. Danger follows her to every movie theater and secluded parking lot.

It is not my place to tell Priya what she should do. Besides, she has already made it clear that for her, the right thing is to end the affair. She’s also telling me, however, that she doesn’t really want to. What I can see, and what she has not yet grasped, is that the thing she is really afraid to lose is not her lover—it’s the part of herself that he awakened. This distinction between the person and the experience is crucial. She needs to know that if she lets Truck Man go, she isn’t doomed to lose herself as well.

“You think you had a relationship with Truck Man,” I tell her. “Actually, you had an intimate encounter with yourself, mediated by him. I don’t expect you to believe me right now, but you can terminate your relationship and keep some of what it gave you. You reconnected with an energy, a youthfulness. I know that it feels as if, in leaving him, you are severing a lifeline to all of that, but I want you to know that over time you will find that the otherness you crave also lives inside you.”

I often say to my patients that if they could bring into their marriage even one-tenth of the boldness, the playfulness, and the verve that they bring to their affair, their home life would feel quite different. Our creative imagination seems to be richer when it comes to our transgressions than to our commitments. Yet while I say this, I also think back to a poignant scene in the movie A Walk on the Moon. Diane Lane’s character has been having an affair with a free-spirited blouse salesman. Her teenage daughter asks, “You love [him] more than all of us?” “No,” the mother replies, but “sometimes it’s easier to be different with a different person.”

If priya succeeds in ending the affair, and doing so with finality, a new dilemma will arise: Should she tell her husband, or should she keep her secret to herself? Could her marriage survive the pain of revelation? Could it continue with a lie undisclosed? I have no tidy answer to offer. I don’t condone deception, but I’ve also seen too many carelessly divulged secrets leave unfading scars. In many instances, however, I have helped couples work toward revelation, hopeful that it will open up new channels of communication for them.

Catastrophe has a way of propelling us into the essence of things. In the wake of devastating betrayals, so many couples tell me that they are having some of the deepest, most honest conversations of their entire relationship. Their history is laid bare—unfulfilled expectations, unspoken resentments, and unmet longings. Love is messy; infidelity, more so. But it is also a window, like none other, into the crevices of the human heart.

The revelation of an affair forces couples to grapple with unsettling questions: What does fidelity mean to us and why is it important? Is it possible to love more than one person at once? Can we learn to trust each other again? How do we negotiate the elusive balance between our emotional needs and our erotic desires? Does passion have a finite shelf life? And are there fulfillments that a marriage, even a happy one, can never provide?


For me, these conversations should be part and parcel of any adult, intimate relationship from the beginning. It’s far better to address these issues before a storm hits. Talking about what draws us outside our fences, in an atmosphere of trust, can actually foster intimacy and commitment. But for many couples, unfortunately, the crisis of an affair is the first time they talk about any of this. Priya and Colin will have to negotiate these questions while also dealing with the ravages of betrayal, dishonesty, and broken trust.

Every affair will redefine a marriage, and every marriage will determine what the legacy of the affair will be. Although infidelity has become one of the prime motives for divorce in the West, I’ve seen many couples stay together after the revelation of an affair. I believe the odds are in favor of Priya and Colin’s marriage surviving, but the quality of their future connection will depend on how they metabolize her transgression. Will they emerge stronger as a result? Or will they bury the affair under a mountain of shame and mistrust? Can Priya step out of her self-absorption and face the pain she caused? Can Colin find solace in knowing that the affair was not meant to be a rejection of him? And will he get to meet the carefree, youthful woman Priya became in her parallel life?

These days, many of us are going to have two or three significant long-term relationships or marriages. Often when a couple comes to me in the wake of an affair, it is clear to me that their first marriage is over. So I ask them: Would you like to create a second one together?

Wednesday, 26 April 2017

Dhatri Kutty and Smarthavicharam

When a dirty woman called me jealous of her, a friend laughed and said this is what exactly Dhatri Kutty did ages ago. She slept with more than 65 men and when caught red-handed she blamed others being jealous of her! I was surprised to hear the story from her. Then I got to read the whole story of Dhatri Kutty on Spider Kerala. I'm sure you'll enjoy this:

Dhatri Kutty – The Story of a Social Revenge by high Society Lady
Thathri Kutty (is also known as Dhatri Kutty and Savithri antharjanam) was born in Kalpakasseri Illam.Read this story of a bold and beautiful Dhatri Kutty who caused a social upheaval in the Nampoodiri and Nair communities in Kerala in the early years of 20th century (1900s) by her daring, cunning and revengeful act of prostitution with famed men of the time.

Tatri's trial of Chastity – Smarthavicharam
As the name suggests it is a real life incident that happened in the central part of Kerala. Smarthavicharam (chastity trial) is a procedure followed by the Nampoodiri Community against their girls or ladies if girls/ladies are found guilty of adultery or illicit/illegitimate sexual contact with other men than the husband. It is a trial to punish the erring women of Nampoodiri families. This procedure is followed only in their community.

This particular trial of chastity or Smarthavicharam is in respect of the prostitution indulged by a Nampoodiri lady by name Dhatri Kutty involving more than 65 males of the society from various communities. Most of these males were famous and are of a high level in the society. The trial took nearly 7 months to complete. The trial had to be conducted in 3 places at Chemmanthitta, Pallimana and Irinjalakuda. There were few trials before and after this particular Smarthavicharam which attracted as much attention of not only of entire state Kerala but even the neighboring states and the country itself.

This is the only one which went to the high court which was at Madras (present Chennai) for the entire South at that time. The court gave a verdict that the Smarthavicharam held in this case was null. However the effect of the Smarthavicharam was already implemented and at that time no one can challenge the Nampoodiri community decisions. So those who were found guilty by the Smarthans were punished as per the system by ordering Brashtu (excommunications – out casting from society) except the two who died immediately.

Dhatri Kutty was a girl born in the village Ezhumangad (popularly known as Arangotukara), on the border of Trichur District but in Palakkad district of Kerala. The Smarthavicharam about Dhatri was decided when her husband complained about her infidelity – adultery. The authorities' concerned decided to try her through the Smartha Vicharam procedure that was the only procedure followed by the Nampoodiri Community against their women.

From the time her illicit relations were noticed till the trial was over she was kept in isolated houses without giving any chance to her meet anybody. Even during the trial she was asked questions and was allowed to answer from the isolated place without the chance to see her questioners or anybody else nor could the others see her. There was her maid servant who supplied the necessities to Dhatri. That was the general practice for such cases.

She was intimated of the charge and asked her to have her say on the issue. She admitted having committed adultery with so many persons and was prepared to have the punishment on condition that along with her the male members of the society who had enjoyed her should also be given identical punishment as that was being given to her. Since there was no practice of punishment for men for such offense till that time, the smarthans (persons trying the accused in such cases) tried to ignore her but she was adamant and gradually she got the support of the population of the area.

The persons doing the Smartha Vicharam were forced to refer the matter to the then Raja of Cochin under whose jurisdiction this matter was. The Raja under pressure from social organizations had to agree to her condition and the Smartha Vicharam (trial) started. If any men are accused, the lady concerned had to give proof of his having had sex with her. She said to the Smarthas that she has a large number of men and she will give the name and addresses of the persons one by one and they are to be tried one by one. The evidence includes some identification marks on covered part of the body of the males and by identifying the persons in an identification parade.

She started giving names one by one. The persons were subject to identification by Dhatri and then as identification marks she gave the details of the marks on or around the genitals of the persons so accurately that the persons had no escape. When she came to the name of 65th man, families in the twin villages and other villages around and families from outside the village were apprehensive that someone from their families also may be named by her and started feeling the extreme heat of the situation and forced to stop the trial.

So only these 65 came under the category of guilty. Out of these persons two had died during the process and some others left the country to some foreign destination to escape the stigma and punishment. At least there were another three who escaped the situation. One of them gave false name and address to Dhatri and could not be traced. Another was a Muslim. The Muslims do not have the Brashtu system and did not come under the Smartha Vicharam.

One more escaped due to some other reason not known. Apart from these if there were any others, it was known only to the lady and her companion. During the trial it was revealed that her jarans (men who have illicit relation with ladies) included 30 Namboodiris, 10 Iyers (paradesi Brahmins, Tamil Brahmins or Pattars), 13 ambalavaasis, people in the services of temples like those who clean the inner prakaram, those who play drums or perform kathakali, koothu etc (outside the Sree Kovil but inside the compound of the temple) and 11 Nairs. Dhatri was given the punishment of Brashtu along with the available male members of the 65 tried.

What happened to her afterwards was not known. There are several gossips about her life after the Brashtu. It was said that the companion of Dhatri broke down at her master's fate and tried to persuade Dhatri to go to Mannanar's asylum and there were several of them waiting for accommodating her as a wife or sister. Dhatri refused and faded into obscurity may be by her own choice. There was a very strong gossip that she went to an Anglo Indian man who was a railway employee at Pothannur railway station. People firmly believed that Dhatri lived up to the age of 80 somewhere around Coimbatore in Madras State (present Tamilnad State).


The Ancestral House of Tatri Kutty
It is the story of a real life event that happened between the years 1850 and 1910 when the communication and transport facilities were at a very low level. It is an unimaginable daring action in a kugramam (a backward village with no infrastructure at that time) Ezhumangad known more popularly as Arangotukara in Palakkad District of Kerala State by a lady of most orthodox community of that time.

The centre stage of the story is a house in the junction of two villages divided by a village road. One side of the road is Ezhumangad village in Thirumittakode Panchayath, Ottapalam Taluk, Palakkad District and the other side is the village Arangotukara (Arangode) in Desamangalam Panchayath, Thalapilli Taluk of Thrissur District, Kerala State. This village is a beautiful village surrounded by paddy fields, few hills scattered around with plenty of trees, 4 temples, ponds and tanks. The house is known as Kalpakasseri Illam (Mana – houses of Namboodiri), a house of a rich zamindar (landlord) of the area at the time of the story.

The house was in a compound of about 4 – 5 acres of land and as any house of rich family was a sprawling one with all facilities available at that time. I belong to the same village and my ancestral house is the 4th house on to the South of the then Kalpakasseri Mana. This mana was right opposite to the village main temple of Karthyayani Devi on the Arangode side.

During my childhood the mana was already nonexistent and only some ruins were seen in the land. There were the remains of some idols worshiped by the family members of the Mana, two wells one for the kitchen and other for outside use and two ponds one for the ladies of the house and the other for men of the family. The house was on higher level of about 2 – 3 feet from the road level. My knowledge of the subject is through hearsay, over hearing conversations and some literature on the subject.

My father, as any grown up person at that time had a good knowledge about the family and the actions of the heroine or villain, Dhatri Kutty after she was caught at her own instance through her husband for having illicit / illegitimate sexual relations with numerous men. My father being very strict and short tempered, I could not ask him and get any detail. However I used to be with him whenever, I do not have to study for school and I could get some information by gossip or through conversations between him and his friends about Dhatr's life.

Then there were discussions between self and my school mate friends from what they have overheard through their parents or others. Because it is on hearsay and I do not want to hurt anybody who may be directly or indirectly connected with the characters or incidents involved in this article I have made some slight changes in the names and narration of the facts.

Childhood of Dhatri Kutty
Thathri Kutty (is also known as Dhatri Kutty and Savithri antharjanam) was born in the above mentioned Kalpakasseri Illam. There is no record available about her birth or childhood so not much is known about these aspects o f her. But one thing with definite date in her case is the Brashtu order which was on the 13th of July, 1905. In the days of lack of communications to complete the activities she could have taken about 30 to 40 years and adding her age at marriage at 13 the birth year might be between 1860 and 1870.

There was a gossip that when she was born her father Kalpakasseri Ashtamoorthi Namboodiri was going towards Arangotukara from Pattambi side. Those days the nearest centre to the village was Pattambi where there is a railway station perhaps with one train in a day between Madras (now Chennai) and Mangalapuram (Mangalore) and one or two buses from Palakkad to Calicut or so via Pattambi.

When he was crossing the Bharatha Puzha from Pattambi to Thirumittakode en route to Arangode he got the news of the birth of his daughter and on consultation of an astrologer, he was informed that the birth was at an inauspicious time and the girl will be responsible for a calamity involving the destruction of his family. After three years another girl was born, the younger sister to Dhatri Kutty.

After that Dhatri lost the love and affection of her mother who was fully engrossed with the new born child. Because of the astrological prediction the family members were a bit apprehensive of the girl. The girl was extraordinary intelligent and wanted to study in school. Those days girls were not allowed to go out alone especially of the orthodox Nampoodiri community.

Hence allowing her to study was not agreed to by her parents in spite of her obstinate pressure. Being intelligent and ingenious she learned to read and write to some extent from brothers. She was having good appreciation of fine arts and had learned something about Kathakali, music etc. Those days girls are married at a very young age of 11 years onwards. Accordingly Dhatri Kutty was married off at a very young age to Chemmanthatta Kuriyedathu Raman Namboodiri (Aphan Nampoodiri) of Mukundapuram Taluk a much older man, almost the age of her father. Thereafter there was not much information about her for some time.

Dhatri Kutty's Illicit Relations
Between the period of 1200 and 1950 A D, the Zamindari system was very powerful in Kerala. The ladies of landlords' will have at least one maid servant cum companion (daasi - thozhi) exclusively to be with the lady. In Kerala the Zamindars were the Nampoodiris - the Kerala Brahmins. The maid servant cum companions of Brahmin girls/ladies used to be Nair girls/lades who will be company to the Nampoodiri ladies (Antharjanams – akathulla alu as they are called).

Dhatri Kutty had one Nair lady companion who was very loyal to her and was helping her without question in anything Dhatri wanted. Through the help of her thozhi Dhatri had arranged a secluded place to have sexual relations with males other than her husband. Dhatri was a very highly intelligent lady now. Her husband was a much older man who had other wives. He may not have been able to satisfy her sexual needs.

Besides Dhatri could not fulfill her ambition to study and lead a normal girl's life due to the ill arrangements of the system. She used to gather information of all well known people of the society of not only of her villages of Ezhumangad – Arangotukara but nearby and far way also. She was such a beautiful lady that anybody would like to possess her. Since she is already married people will be happy to try to spend some time with her and have sex with her for at least once if there is any possibility. Such being the case she had no difficulty in getting the men she wanted to be in bed or otherwise with her.

She had arranged to get most of the well know people of her time who are grown up enough to visit her for sex. It is not known whether she had sexual relation with anybody for a second time. It had gone on for a long time and a number of persons had contact with her at the place she had arranged for this purpose through her thozhi. She being a very intelligent lady, it is not possible for anybody to say whether she had really sex with all or she had fooled some of them without having sex. That fact was known only to her and the persons concerned.

But one thing is sure whether she had sex or not with the persons who visited her, she had the details of identification marks/birth marks of the body of the visitor and had noted the same in some way for future use against these persons with their names and residences without their knowledge. The numbers of persons involved were so many and it was known only to her and her maid.

What I understood about her mode of communication was that she used to get information about famous people throughout the length and breadth of Kerala through her companion. She used to send her maid to establish contact with the persons one by one and invite them. Since the Nampoodiri ladies are seen only by their fathers till marriage and their after only by their husbands, remaining unknown is not much difficult especially when the community had the system of not seen and not being seen between the Antharjanams and men other than father up to marriage and there after only by the husband. And with the system of mara (hide) kuda (umbrella used by Nampoodiri ladies to cover upper parts of body and face from others) it will not be difficult to go out with the maid unknown.

In the place where she was operating as a prostitute she used all her skills so satisfy the men who go to her. But none of them knew her as an antharjanam of Dhatrikutty for the above mentioned reasons. Then one day an old man from her community came to her either by knowing the possible flick through somebody or as per her way of inviting the males. He had a nice time and spent some time talking to her that he would like to have her permanently for himself if possible.

At the end of it she opened her veil which she was wearing most of the time outside her house. The man had the shock of his life on seeing her as she was none else than his wedded wife. He was shaken out of his wits, ran out shouting which made people to gather. Those days the tilt of society against the women was much stronger especially for the upper caste Namboodiri Brahmin ladies. Her husband wanted her to be punished.

For trial of such illicit or illegitimate sex of Nampoodiri ladies there is system of trial known as 'Smartha Vicharam' where with the permission of the ruling Raja of the area, the learned Brahmins of 3 or more in numbers will intimate the charges against the lady concerned and give her a chance to reply on the matter. In overwhelming majority of cases the ladies get excommunicated from the society which is known as Brashtu (out casting).

The family of the ladies will send her out of the house and do the last rites (irikke pindam – irikke means while living and pindam means doing last rites too dead persons) to her as if she is already a dead person. After this Brashtu she is no longer considered as human being. She will be addressed as if she is an object like 'sadhanam' or 'it' 'that' etc. After that anything may happen to her.

There may be some vulture like males waiting to take chance or there were some institutions where such ladies were being accommodated. The owners of these institutions known as Mannanars have immunity from Brashtu. Such places have some system where there are two gates/entrances. If the lady comes through a particular gate she is taken as wife and if through the other gate she is treated as a sister. Mannanars are from a royal sect of Thiyya community that ruled some parts of Malabar between Kannur and Kasargod.

The Mannanars are supposed to have been following Buddhism. They used to give refuge to Antharjanams (Nampoodiri ladies) who were declared outcaste in a Smarthavicharam. Since the Mannanars follow Buddhism they have no problem with Brashtu and more over they consider themselves as Royals where they only decide things for them.

It is also said that the Chakyars (those who perform koothu and chakyars koothu in the temple premises) were also giving asylum to the outcast Nampoodiri ladies/girls. It is a bit difficult to accept this as the Chakyars like the ambalavaasis and close proximate people will not be allowed to give such asylum of the Nampoodiri ladies. It was not know whether Dhatri was taking any money for the service she was giving to the men and where she was conduction these services.

Possible connections with the known persons
The chief of the Smarthans committee of five members was the late Jatavedan thirumeni (as the Nampoodiris and the thampurans etc were addressed at that time). The famous writer Madambu Kunhikuttan is the grandson of the famous late Jatavedan Nampoodiri. His two uncles, that is the brothers of Jatavedan Nampoodiri were also involved with the sexual act and were given the order of Brashtu.

It is rumoured that one Gopala Menon who was given the verdict of Brashtu escaped to the then Ceylon (present Sri Lanka) to avoid the stigma and shame. As per gossips the super hero of film and of Tamilinas, M G Ramachandran (M G R) was a son of the said Gopala Menon.

Another person's name which was doing the round was the super heroine of Malayalam films. Some people feel that Sheela is the granddaughter of Dhatri Kutty.

Dhatri was particularly targeting persons who are supposed to be of very high moral standing, famous personalities, well known scholars of that time, musicians, kathakali artists and other prominent high society people of that time from the area under the erstwhile Cochin state and Malabar to sleep with her. She had clinching proof of identification marks on the covered parts of the persons, and in many cases letters written by these people to her. It was being rumoured that the then celebrated Kathakali artists Kavunkal Shankara Panicker, Kaattalathu Madhavan Nair, Panangavil Narayanan Nambiar, Achutha Poduval etc were in the list and they had to leave their professions and their places.

Consequences to her families and her Jarans
Her father committed suicide after the incident. Other members of the family fled out of the village and were lost touch with anybody from the village or any nearby areas. The property was abandoned for some years and later slowly some unscrupulous people encroached and appropriated the same. During my childhood it was a deserted land though in the centre of the village right opposite to the main temple and people were afraid of going into the ruined place.

There were some deities of the family in abandoned condition with no one daring to do anything about it. There was a huge tree with the first branch about 40 feet high from ground, and the thickness may about 20 - 30 feet which was later sold to the boat making people. There was a peepal tree at the back end of the compound from which some birds, owls and another variety known at that time as Kalan Kozhi. The owl makes noise in the night which is fearsome at that time as there was no battery torch or electricity. The noise of the Kalan Kozhi is still more frightening.

There was a belief that when someone is about to die or killed the Kalan Kozhi will make the cry to alert the coming of the Kalan (Yaman) and for this reason it got its name. Then there are some whose names were not disclosed or not allowed to be disclosed by abruptly closing the trial after the 65th man of Dhatri's list. 62 of them had to leave homes, most of them being very high level in the society or famous in their professions, humiliated in the society and had to live on begging and treated by society worse than those who are suffering from terrible contagious diseases. They cannot come anywhere near anybody within 30 feet. In my school days I have come across 2 – 3 of them.

Books and Movies on Dhatri's life
There are 3 – 4 stories and 2 – 3 films on the subject. In fact it will appear to be like the story of a super hit movie of "A" certificate category. The centre character of the incident is one Tatrikutty (Dhatrikutty or Savithrikutty antharjanam).

There are books on the subject with titles 'Thathrikuttyude Smarthvicharam' (Tatri's Trial of Chastity - known those days as Smarthavicharam) by Alankode Leelakrishnan, 'Kuriyedathu Thathri' by Nandan (VT Nandakumar), 'Cast me out if you will' by Lalithambika Antherjanam, 'Brashtu (excommunication or out casting from society)'by Sri Madambu Kunhukuttan whose grandfather was the main Smarthan, 'Outcaste' translation of M Kunhukuttan's book by Vasanthi Sankaranarayanan, The British Commission by Pavithran, Malabar Manual by Logan Castes & tribes of Southern India by E Thurston, Nambuthiris by Fred Fawcett and a story on the subject by Smt Lalithambika Antherjanam with the title 'Pratikara Devata (Goddess of revenge)'. A story of the subject has also come as serial in Mathrubhumi weekly during 1998 -1999.

There are two films directly on this incident by name Brashtu and Parinayam (National award winner -1994). There were several other films with stories borrowed from the Tatrikutty incident with various names at different times. Even in other languages such films were made.

Social Upheaval
This was a landmark or historical trial (Smartha Vicharam) in many respects. This was one with 65 persons involved. Possibly the number might have been much more had the trial continued instead of abruptly stopped further trials. Even there were strong rumors that the next person may the Kochi Maharaja himself. That was the extent of her attraction as a desirable lady to sleep with. Till that time only the ladies were tried and punished.

In this case Dhatri forced the authorities to give equal justice to lady and the men involved. For the entire duration of the trial of about 7 months the family members of all persons of some social standing were in tenterhooks or tremendous anxiety and fear that the next name may be one from their family. The persons involved were all of high standing one in the society and well known professionals. The whole incident had a shattering effect on the society at that time.

This situation prompted the Kochi Maharaja to declare that in future to institute 'Smarthavicharam' against anybody a hefty amount has to be deposited in the treasury to discourage the possibility such public embarrassments in future. This is the only trial challenged in the then Madras High Court which gave a verdict the trial as void, but could not give relief to anybody under the order.

As mentioned earlier, Dhatri Kutty an extremely intelligent, courageous and beautiful girl had to marry an old man who cannot fulfill her desire for sex. Hence she must have planned the revenge against the society by selecting some of the famous persons of that time to partner in sex. She was virtually running a brothel with herself as the prostitute without anybody knowing her identity with the use of veils. She had the unstinting support of her maid servant cum companion cum thozhi, as per the custom of those days, a Nair girl.

She was able to satisfy all who came to her so that her professionalism as a prostitute went far and wide and anybody will be willing to come to her to get chance. During the Smartha Vicharam there was a gossip that even the King of the Cochin was involved and he was afraid that his name may be divulged by Thathri Kutty. Anyway she had to stop divulging the name of her illicit relations at the 65th man which itself had created commotion and turmoil in the society. When this got exposed the very foundation of the social set up of that time was shaken.

There was an upheaval for change in the marriage system and family definitions and set up not only in the Nampoodiri Community, but also in the lower communities. After the Smarthavicharam of the Tatrikutty the Namboodiris started organising to take up the common issues of the community. The main issue was the marriage system of their community. On the one hand the elder one marries as many as he can and on the other the younger members have no right to marry.

Many girls and ladies remain either unmarried or married without the married relations and in many cases widowhood due to death of the old husbands while they are still girls. In order to change the unequal system in the Nampoodiri community, some revolutionary men formed a council "Namboodiri Yogakshema Mahaasabha" (Namboodiri Community Welfare Organisation). In this forum they promoted the idea for abolition of the system of sambandham and a thorough change in the marriage regulations of Nampoodiri Community. This had the chain effect in the Nair Community also where there were organised revolt against the matriarchal system and to introduce patriarchal system among them.

Possible Reasons for the Revolt
There are several versions as to why Dhatri Kutty went in this type of actions which in the ordinary course no other girl/lady would have dared to try even in the modern times. Even to think such an act would be frightful or even it may not come to the mind of nay normal or even a slightly hyper active lady. Therefore there must have been a strong reason for her to such an extreme step in the period when the society was so cruel to the women with so much of restrictions, fetters and taboos etc. It is not known if she had expressed anything to anybody.

In the trials she had restricted herself to insisting on equal punishment for the involved males also and thereafter she had only given the details of the names, addresses and identification marks of the involved men. So whatever is mentioned here can only be guesses. The following are the possible reasons. It may be any or a combination two or more reasons.

The first possible reason is the system prevailing especially in her community. The girls are not given education, the husband will have many wives, and while the girls are very young the marriage is to an aged person and no freedom to move anywhere alone. In Dhatri's case all these circumstances applied and while she was extremely beautiful and bold; her husband was a vainglorious person. She might have felt to smash the shackles of the society so that the future generations get relief, even if it is at the cost of her life. It requires iron will to do what she had done especially with the punishments for adultery during the trial period.

Another reason told is that her husband was jealous of her beauty, intelligence and boldness. He wanted to insult her as the male members can do anything and get away with it normally. Once he brought a prostitute to the house and after spending time with her sent out. While spending her off he teased Dhatri that he enjoyed the time he spent with the prostitute and if Dhatri had guts she can be on e like her. As per this version Dhatri accepted the challenge and started the orgy and finally invited her husband without his knowing the identity of her. After his session with her, it was reported that he went to the pinnacle of sensual feeling and suggested to her that he enjoyed the session and would like her to be with him permanently. On this she lifted her veil and the man ran away screaming.

Another reason gossiped was that Dhatri was forcefully enjoyed by her young brother in law against her will.

One more gossip was that her own father abused her.

She being a beautiful lady it could have been a possibility that her brother-in-law or father tried to enjoy. But as against this, it is to be considered that she was a bold, intelligent and courageous girl/lady. Even assuming such a thing could have taken place, Dhatri would not have gone to the extent of hunting for famous person of the society to be trapped to show her revenge. There is no mention of her brother-in-law or father in the list of jarans submitted by her at the trial.

As per the opinions of all concerned, Dhatri was a bold, cunning and revengeful lady. Therefore, the gossip about the brother in law or father would not have been a reason as she was bold and intelligent and could have easily foiled their attempts if any. Therefore the only reason left is that of revenge against a cruel and cunning society which tried to keep the ladies as the tools for satisfying the males of the society especially in the Nampoodiri community.

Those who read the story will admit that even in this 21st century it will be very difficult for any lady to do what Dhatri Kutty did 150 years back without the communication facilities, where the ladies were under strict observation and checks of the society. Therefore it stands to reason that her action was a revenge or revolt against the society if we take into account that she was intelligent and bold. It is also possible that if her husband had challenged her to be like the prostitute she could have taken the challenge. Perhaps the husband's taunts and the suppression of the ladies of that time combined might have prompted Dhatri Kutty to plan and execute such a daring and shocking act.

Smarthans involved in Dhatri's case
The Smartha Vicharam was done with a committee of 4 persons with the famous Jathavedan Nampoodiri from the Perumannan village as the Smarthan (knowing the Vedas and competent to conduct the trial of chastity as per the Nampoodiri Community rules). Another one was the eldest Nampoodiri from Desamangalam Mana.

The Mana was the biggest landlord around 4 – 5 villages including the Arangotukara and have the right to try guilty persons of these 5 villages and punish under the order of the Cochin Raja at that time. The other two are not known to me. Most probably one member might have been from either the Naareri Mana or Pumulli Mana 2 prominent landlord of the area where Kalpakasseri Mana was situated. And the last might have been the land lord of the area under which the Mana of Dhatri's husband situates.

Dhatri's Isolation House
Dhatri antharjanam (Tatri – Savithri) was caught on adultery and was taken and accommodated in an isolation house known as Pacha olappura (house with green palm leaves) – Achanpura on river bank at Chalakkudi. Such houses specially designated for such purposes were under guard so that the inmates do not escape or have contact with outside world. It used to be like a remand home or virtual jail till the inmate is declared as innocent, which is very rare or till punishment is awarded. Dhatri was also not allowed to have contact with anybody.

The trial – Smarthavicharam took about 7 months to complete. It is also said that there were persons waiting outside the Smarthavicharam place for Dhatri to come out and take her with them if she was willing. She did not agree and fought with them who tried to use force or coercion with her. Her loyal maid servant also was with her to support her. Nothing much is known about the maid servant except her help to Dhatri in the background.

The Last Smarthavicharam
The next one and the last of the Smarthavicharam happened in 1918. This case was that of another Savithri Antharjanam (Tatri) of Pazhur Paduthol Illam. There were 12 persons involved. The Smarthan was the same Jatavedan Nambuthiri. This Savithri married a Muslim after her Brashtu punishment. She had a daughter from the Muslim and thata daughter married a Chakiar.

Madras High Court Order on Smarthavicharam trial
The high court ordered that the Brashtu of the men who had intercourse with Dhatri as illegal as these men were not properly charge sheeted and not given proper chance to cross examine the lady, or given chance to argue their defence. In Jatavedan's report he has mentioned that it is not customary to record the details and minutes of the trial normally. However, he had written down briefly the matters of the men involved also were given chance to say what is their case against the allegations of Dhatri against them.

A brief description of Smarthavicharam
This procedure is followed in case of Nampoodiri ladies caught for adultery. Wherever the chastity is doubted, the lady in question was given to the custody of the society, for inquiry. The suspected person is sent to an isolation home known as the 'Achan pura or Pacha olappura' where she will be confined without allowing any outside contact. She will; be provided the basic necessities. First the maid servant will be questioned.

 All Nampoodiri ladies used to have a maid servant cum companion cum thozhi who will be most of the time with the lady. The questioning of the maid is known as the 'daasi Vicharam'. Then a formal request is made with a nominal deposit to the king who will agree if he feels it has to be conducted. Along with the approval the maharaja appoints the Smarthan (Vedic arbitrator) and his assistants. There will be some observers called 'Akakkoyamma' and 'Purakkoyamma'.

The enquiry is routine and may continue for days, weeks or months depending on the complications. During the entire period of the Smarthavicharam all those connected with the Smarthvicharam are to be accommodated and fed and their other basic necessities are to be met by the girls' father. At the end of the trial the verdict is arrived at. Invariably it will be finding the girl guilty and the punishment of 'Brashtu' –excommunication – casting out of society is declared.

Till then she is considered as an inanimate subject and is known as the 'Sadhanam' or object. After this she is as good as dead for the family and community and the other communities depended on the Nampoodiris and the last rites are done to her. She is thrown out into the street.

The stages of the procedures are
(1) the daasi Vicharam – questioning the made and a report is taken from her about the suspected antharjanam's illicit sexual conducts;

(2) if there was prima facie conclusion of infidelity, the system of isolation or transferring to Achan pura or Pacha olappura is done of the accused;

(3) intimation and request to the king concerned about the incident and proposed Smarthavicharam;

(4) the king sends the Smarthan and 4 assistants for the Smarthavicharam;

(5) These king's representatives frames the questions to be asked in consultation with the king;

(6) the questioning of the accused – the questioning and answering is done while the lady will be in the isolation place and the Smartha and others outside without each other seeing;

(7) The accused women are subject to severe torture during this period – there were several inhuman methods followed. One such method is to keep the woman in a palm leaf mat like the packing of a dead body and roll the mat with her inside the fold and roll it down from the tiled slanting roof top. Other women will be given opportunity to torture the woman according to their fancy and capacity. Sometimes snakes and rats will be let loose in the isolation place where the lady is kept;

(8) generally she is labelled as a nymphomaniac or a cursed demon who has ruined the lives of successful men. She is depicted as horrible demonic creature. But for the suffering antharjanam's she might be a heroine fighting for their cause, though they canno9t even express it to anyone.

Remains of the Tharawad (ancestral House)
At the time of my childhood the concerned house structure or remains were not seen, except for the remains of a pambumkavu (a raised platform with with all round walls of about 3 feet height and with a gap for entry to light lamps).

There were some granite stone installations of some deities supposed to be of Brahmarakshassu (may be the spirit of dead Brahmins), mookkan chathan (may be some snake god) and a few others. There were two wells (one for kitchen and the other for outside use) and two ponds (one for the bath of the antharjanams (Nampoodiri women) which were filled with mud and other dirt falling into them during rainy seasons. The whole land may be to the extent of 4 -5 acres.

There was a peepal tree near the back end of the land. The land is about 2feet in height and is in Ezhumangad portion was facing the main temple in Arangotukara portion, Sree Karthyayani Devi temple. The incident is the history created by the acts of a girl of extraordinary beauty, intelligence, courage and perhaps perversion or calculated revenge against the community, social system and society in general of her time which was fully loaded against women folks especially of the forward Namboodiri community during those days of virtual non communication facility, orthodox system of society and no easy transport facilities etc. Excommunication or ostracism ("Brashtu")

The Society at that Time
For majority of the population who are young may find it difficult to understand some of the issues unless the social set up of that time is understood. Hence a brief idea is given here. It was a period of feudalism at its peak but on the verge of degeneration. In Kerala the system followed was strange. The caste system was very strong.

The Brahmins had predominance and preferences in everything over others. The Kerala Brahmins were wealthy land lords and had several rights over other communities and castes. In fact they had the right to punish others. The society set up depended mostly on the set up of the Namboodiri community and all other communities set up was to suit their interests.

The Namboodiris of that time did not want their hold on the society to get diluted by having to divide the land of the family between the sons. Hence they devised the system in their community that only the eldest son can marry to have children of the family and there again only the eldest son gets married and hence the land of the family will be in the hands of the eldest son, i e only in one person. This threw up problems in their community as the other sons in the family cannot marry. They cannot control the sexual urge and had to do something to satisfy that urge. .

They introduced the system of sammandham for the younger male members. Under this system the property need not be shared with their children from the sambandham. Another problem was that since only one man from a family can marry, marrying only one girl / lady will make other Nampoodiri ladies spinsters/unmarried. The ladies too have the sexual urge as a natural biological process and might do something to satisfy their sexual urge. But the Nampoodiris wanted their ladies and girls to be chaste.

Under such pressure situations the powerful Namboodiris devised a system to meet the situation. To solve the Nampoodiri ladies problem, they introduced the system that the eldest male member can marry any number of Nampoodiri girls and ladies. This again had its problem. When more than one wife is there, there will be family quarrels in spite of the tight control of males over the ladies, and the man may not be able to satisfy the sexual necessities of all his wives.

This is further complicated when he marries in the old age to a young girl / lady. There were several instances where immediately on marriage the old husband dies and the young girl / lady will live as a widow with lot of restrictions and torture for balance of her life which may be a very long one. On the other side there may be also many ladies not getting a chance to marry and have to spend their entire life as spinsters.

So there were simmering discontent among the unsatisfied ladies and some of them clandestinely try to have illicit relation which when caught, will out cast them from society. They will be thrown out of the house on the road. There were asylums for such outcast ladies. Some may be lucky to get there. Some may marry lower cast men and live with them. Some will get exploited by men and some will be wandering as beggars for food. In the normal circumstance itself there were lot of restrictions on the antharjanams, akathulla aale or aathole (those are the words by which Nampoodiri ladies are known) in those days. They cannot go anywhere except to nearby temples or to their close relatives and are mostly confined to the homes.

Even to these places they were not allowed to go alone. There will always be a maid servant, a Nair lady who will be constantly with her. The Nampoodiris were using this as status symbol and the lady may feel elated. But in fact this is also a spying method by the men against the ladies activities. Then whenever the ladies go out they have to keep an umbrella in such a way that the lady's face and upper body cannot be seen by others, a predecessor or variation of the purda (veil) system of the Muslim ladies. The ladies cannot see anybody and anybody cannot see the ladies.

There will be a Nair maid with the lady who will walk in front and other Nair ladies will be on sides and back of the lady. The lady can see the foot of the Nair lady in the front and she just follows the feet. In fact everything possible was done to keep them chaste. The only activities they had were taking bath, chanting hymns or slokas, cooking food and sleeping.

In order to avoid the division of property to the family with the sammandham children, they again devised a clever system of maternal linearity for the lower caste families with whom their younger male members will have sammandham, mostly of the Nair community. Under this system the males having sambandham and children need not give anything to the lady or children except one two pairs of dresses during the Onam, Vishu and Thiruvatahira.

Since the Namboodiris wanted their younger male members to have facility of sammandham, they extended this concept to the Nair community also. So the Nair girls used to have only sammandham arrangements either from persons of their own community or from Brahmins. If any Brahmin is interested to have sammandham with a particular girl or lady the Brahmin will get preference over the Nair. So even if there is a sammandham arrangement for a girl or lady with her own community, he has to stop the sammandham to accommodate the sambandham arrangement of the Brahmin.