Malayalam actor assault: What Manju, Rimi and Kavya told the police about Dileep

More than 50 people from the film industry are witnesses in the actor abduction case and several of them told police that Dileep had a grudge towards the assaulted actor.

The abduction and sexual assault of a prominent woman actor from the Malayalam film industry had sent shock waves in the state in February this year.

With prominent and influential actor Dileep being named the eighth accused in the case and alleged to have been the main conspirator in the crime, the industry was divided into people extending their support to the woman actor, and another group defending Dileep.

The investigation team submitted their chargesheet last month and according to several testimonies by a number of people from the industry, Dileep had a grudge towards the assaulted actor. Actor and Dileep's former wife Manju Warrier has said in her statement that Dileep's extramarital relationship with actor Kavya Madhavan was the reason for her divorce from him.

TNM is reproducing the statements of actors Manju Warrier, Samyukta Varma, Kunchacko Boban, Kavya Madhavan and singer Rimi Tomy, translated from Malayalam.

Manju Warrier
The assaulted actor is my friend. The day she was attacked, I went to meet her at her home. When people from the industry held a programme in Ernakulam in response to the attack, I took part in it and spoke at the event. She had told me that it was a quotation gang who was behind the attack and so I said that the culprits must be punished.

I divorced Dileep in 2015 and the extramarital relationship between him and Kavya was the reason behind it. Even before we separated two years before that, there was constant friction between us regarding his relationship with Kavya. And at times, that has paved way for major fights between us. What I heard from the assaulted actor only reinforced what I already knew about the two.

I said at the event that there was a conspiracy behind the crime.

After my wedding to Dileep, I had completely cut myself off from the industry. I hadn't interacted with anyone. I didn't have a world outside my home. One day, I happened to see their messages on Dileep's phone. I shared it with my friends Geethu, Samyukta and the assaulted actor. This was sometime in 2012 when I had seen several messages between Kavya and Dileep. When I told Dileep about what the assaulted actor had told me, he told me that she didn't know anything and that she was ignorant.

Rimi Tomy
I have been a singer for the past 20 years. I have sung in more than 100 films. It was for Honey Bee 2, in which the assaulted actor also acted, that I sung last.

I anchor shows on Asianet and Mazhavil Manorama. I was first introduced to Dileep in 2002, as part of his film Meesa Madhavan. The same year, ahead of the film's release, I went on a Europe trip with Dileep and Kavya Madhavan.

In 2004, I have also taken part in Dileep's show held in the UAE.

In 2010, I had gone to America with Dileep, Kavya, the assaulted actor and Nadhirshah and the show spanned across days. Kavya Madhavan's and the assaulted actor's parents and my mother were also there along with us.

At that point, all of us knew that Dileep and Kayva were close and were in a relationship.

Since Kavya's parents were strict, Kavya and Dileep did not get a chance to spend time together. Our accommodation was arranged in such a way that there were separate rooms for everyone. On the last day of the show, Kavya took permission from her parents and came over to the assaulted actor's room for a sleepover. I was also there. Around 1 am, Dileep came to our room and he and Kavya together went to the bathroom. They returned after sometime. A few minutes after this, Dileep left our room.

I am aware that in February 2012, Manju, Geethu Mohandas and Samyukta went to the assaulted actor's house to speak to her about Dileep's and Kavya's relationship. After they urged her to share whatever she knew, the assaulted actor told them about what had happened during the American trip. Following this, she called me up and told me that I should also tell Manju whatever details I knew about their relationship. When Manju called me, I gave her some information.

Following this, there were issues between Dileep and the assaulted actor. I believe Dileep was close to her before. The films they both acted together went on to become major hits. However, the assaulted actor has told me that she doesn't approve of Dileep calling her up often to chat.

In 2013, during the rehearsal of AMMA show, I have heard that the assaulted actor clicked pictures of Dileep and Kavya sitting together and sent them on a WhatsApp group Manju is also part of. I don't have any business relationship with Dileep or any real estate dealings with him. We do not own properties together.

I came to know about the attack on the actor through TV channels. On February 18 around 9 am, I called up Kavya to tell her about the news. But for someone who was hearing the news for the first time, I felt that Kavya's response was cold and that she wasn't shocked to hear it. I remember thinking that was odd.

Kavya Madhavan
I am not aware when issues between Dileep and Manju began, but I think it was aggravated in 2012. And the assaulted actor had a role to play in this. She has said a lot of things here and there. Dileep has told me that the assaulted actor had sent Manju pictures of me and him sitting together.

I haven't seen these photos. It was during some show that the assaulted actor took those pictures and sent to Manju.

I am aware that the assaulted actor has told several people that I am the reason for issues between Dileep and Manju. In 2013, at Abad plaza hotel during the rehearsal of Mazhavil Amma, the assaulted actor went around saying this and that about me and Dileep. Siddique and Nadhirshah intervened.

The assaulted actor had told something about us to Kalpana and Bindu Panicker. When Bindu apprised Dileep of this, he told Siddique that the assaulted actor was saying derogatory things about us and that she needs to be controlled. I came to know of this then itself and Dileep told me that I shouldn't talk to the assaulted actor and that Siddique will. I haven't spoken to the assaulted actor directly about her behaviour of spreading rumours about Dileep and I.

She cooked up things about us, she imagined things and went around narrating them in an interesting manner. After this issue, Dileep hasn't spoken to her. Manju left their home when Dileep and their daughter Meenutty (Meenakshi) had gone on an Austrailian trip. I came to know of it only later. I am not in touch with Manju now.

I got married to Dileep in November last year.

On February 13 this year, we went to our Aluva house in order to make arrangements to take passport for Meenutty on the 14th.

Dileep wasn't keeping well at all at that time.  He had fever and throat pain. He was in bed rest mostly. We even consulted our family doctor. On the morning of February 18, I came to know about the attack when Rimi Tomy called me. I don't exactly remember the time when she called.

She told me that the actor was abducted by one Suni and her photos taken. She asked me to check TV channels. But I told her that there was no TV at home. I was going to make tea for Dileep when Rimi called me. By the time I made tea and went to Dileep, he was already speaking to producer Anto over phone. He told me that the woman actor was attacked and that Suni and team were behind it. He told me that he called back Anto since he had missed his calls during the night.

When he asked me for her number, I told him I didn't know it. On the 17th, Dileep was completely under bed rest and I haven't seen him make continuous calls that night. I haven't met Suni, neither do I know him. I have never felt Dileep has any enemies, but now I feel so.

Ad film maker Shrikumar Menon had made derogatory statements against him on social media. He is responsible for Dileep and Manju's divorce.

Samyukta Varma
Aroud 4 years ago, Manju and my friend Geethu came home to tell me that Manju had found some messages between Dileep and Kavya on his phone.

She was upset about it and cried. We met the assaulted actor at her home and her father urged her to tell Manju whatever she knew. She told Manju about the illicit relationship between the two and Manju believed that. Following this, Dileep began to have a grudge against the assaulted actor and I know that because of his influence, she has lost several opportunities.

She has also told me that although there were other people who knew about their relationship, Dileep was only angry at her. She has also told me that she felt isolated during functions.

Kunchacko Boban
I was the hero in the film 'How Old Are You' which was Manju's comeback film. It was directed by Rosshan Andrews.

After I committed to the film, Dileep called me one night and asked me for the details of the film. He spoke to me in a way that made me feel that he wanted me to quit the film and not act opposite Manju. I told him that in my films, I am not the one to decide the female lead, that it is the director who does that.

However, even if it was against ethics, I told him that I will back out from the film on the basis of my friendship with him, but only if he asked me to. Dileep did not. He continued to talk to me and I felt that he wanted me to quit the film on my own. I have heard that Dileep had tried to replace the assaulted actor from the film Cousins.

(Source: TNM)

Malayalam actor abduction: The 'intellectual' Kerala man shows his true colours as a misogynist

The 'intellectual' Malayalee man often claims to be a feminist but his mask drops when it really matters - as it has in the case of Dileep.

The anti-feminist 'intellectual' Malayalee man is a phenomenon by himself. He's equipped with lethal drippings from the global Keralite syndrome - the boasting of literacy rates and the intellectualism that follows; he can even quote a few lines from a post war Jean-Luc Godard movie. He's typically a left thinker, and has equally mastered the first world’s art of intellectual deception.

Of course, one of the main deceptions that a Malayalee man of this description practices artfully is pretending allegiance to feminism. This Malayalee man will directly stake claims that he is a feminist, he vouches for all things feminism, and he wholeheartedly participates in gender discourse.

After all, the Kerala sex ratio speaks for itself, women inherit property, girl children are more in demand for adoption, women are outspoken, bank lockers bulge with women expatriates' fixed deposits, and if you watch Kerala from a bird’s-eye view, it is littered with feminist women ingrained in politics and socio-culture.

Yet, the sociocultural framework of Kerala is extremely male-oriented and chauvinistic. Along with the lewd catcalls, the chechi slurs, the constant feeling up of female bodies while in a crowd, there's also subtle and structural male chauvinism.

Women's rights or issues are ‘humourous’. In movies, art, and public discourse, a feminist is a laughable object. She is caricatured as a frustrated woman, a hypocrite who is lazy and seeks attention. Why do we need more feminists when society has already achieved its golden gender equality, is the question that men of this belief have in their mind. What more do you need, they seem to ask.

Many movies, literature, and art depict the Malayalee man as always in conflict with a ‘powerful’ woman; it is no surprise that the Malayalee culture still nurtures the Yakshi (a female vampire) concept, a female vampire wandering in the night, powerful enough to seduce a man and leave only his nails and teeth to the next day’s light.

The real hero
Take as an example the Jisha case. In 2016, a 29-year-old Dalit woman, a law student, was found brutally murdered and mutilated on a summer night in April. She'd also been raped.

For an abominable crime of this nature, Jisha’s family was scrutinised and called ‘dysfunctional’. Their poverty was also blamed for the incident. There were calls to build a stable home that would ‘protect’ them - as if gender violence happens because people don't have proper homes.

Kerala society tries to detach itself from its own culpability when such crimes occur, and quickly arraigns ‘others’ and ‘other reasons’, even when it displays the outrage about what has happened.

In order to achieve this, as soon as a sexual crime surfaces, the women are unkindly scrutinised. In a protest for Jisha’s murder and rape, Kerala’s popular film actor and a ‘mega star’ Mammootty, commented, “The real hero is one who protects the dignity of women.”

Remind yourselves, this declaration of protection of dignity was made in a large function among many social and cultural stalwarts. The assertion was that Jisha had somehow ‘lost’ her ‘dignity’ through rape and that it was up to ‘real’ men to ‘protect’ it.

This, after women’s rights organisations and feminists, have cried from the rooftops for decades, that this is not about us women, this is about men attacking women. Turn your cameras to the perpetrators. Turn your focus to men, turn your focus to patriarchy. No, rape is not about lost ‘dignity’.

Where are the feminists?
Malayalee society is a tad kinder to women who died during such attacks. But as for women, who survived and struggle to live, the Malayalee "intellectual" broflakes are up in arms and lament about how the perpetrator's family peace is destroyed due to this blot on his honour.

Especially if the man happens to be in a powerful position, they cry about how his career has been affected, how he is losing friends - and all because the woman is trying to seek "attention". Enough is enough, now let us move on to more important topics like ‘famine of South Sudan’, everything is all right in Kerala, the "intellectual" men screams.

While these arguments are made, a common question that such men raise is, ‘Where are the feminists?” It is as if feminists are a police or protection force to be called in, whenever there is gender violence. Mind you, the feminists are not needed for all cases. They believe they get to choose when and where feminists should be involved. The perpetrators are men but the answers have to come from feminists.

Where are you when we need you? clamour the men. It sounds similar to ‘Where are my bike keys’, ‘Where are my glasses’...and the image they probably have in their minds is that of a dutiful woman coming forward to give them what they need.

‘Dignity’ of Silence
In this backdrop comes the recent case of a young woman actor who is going places, gaining immense popularity, and with a growing fan base. She was brutally assaulted in a moving van by four men and her harassment was recorded.

The police say they have evidence of a conspiracy allegedly hatched by a fellow actor. Unlike many victims who were silenced and remain unknown, this is a visible woman. Everybody knows her. Unlike the others, she spoke up about what had happened and said, ‘I will fight until I get justice’.

However, as soon as Dileep’s name as the mastermind of the crime began to do the rounds, he started to craft the appearance of a family man, of a sympathetic and friendly human being, an approachable next door movie star.

Years ago, when his first wife, Manju Warrier (a very popular film actor herself), left him, he used the same script -- that of a woman destroying his peaceful family. In one of his interviews during those days, he clearly mentioned how his wife did not even stay to comb his daughter’s hair and how she abruptly left home. This, when the popular female actor had become a homemaker since their marriage and stayed away from movies.

It looked as if, he had no clue, why she had to take such a drastic decision and leave home, when all the while he was the quintessential family man.

According to men who write and believe in this script, a Kerala family man never hurts his wife, a family man tries to protect the dignity of his woman, and is a 'real hero'.

Dileep may well be innocent of the crime that he's currently accused of. But even if he were guilty, he has the privilege, power, and money to come out of all this.

However, observe how society has reacted. For some, this privileged man was made a scapegoat. There are ample stories of him doing charity, as if all these are evidences that prove that he cannot commit a sexual crime.

Senior actors, some even elected representatives, stood strongly by him during a press meet, after he was questioned for 12 hours by the police as a possible suspect. They shouted, grunted and barked at the journalists questioning his presence.

He was visible everywhere until the police arrested him. Dileep still speaks through many men, some furious (how could such a nice man do it?), some sympathetic (what all he has to go through).

The "intellectual" Malayalee men are furious and angry. Crying, kicking and screaming. Of the injustice done to one among them. The brutally assaulted woman, her voice, her anger, her presence, all that has been erased out of view after the assault.

She doesn’t share any stage. She is not in any press meet. She cannot even be named. She has committed the social crime of standing up for her rights, her space. Even as Dileep has targeted her in his statements to the media, she has maintained that she has no evidence of his involvement but that she will fight till the end.

What if she'd had an outburst like he did? She will immediately be held responsible for destroying him. She has to balance and check her emotions. Imagine if she appears happy, society would turn immediately against her, blaming her. The rumour mills will grind ceaselessly to manufacture stories of how this attack could not have happened, how a woman is trying to destroy the tranquility of God’s own country.

With this, the Malayalee "hero" will once again swear that he will protect the dignity and honour of his fellow women until his death.

Dear women, please do not make the Malayalee misogynist angry. Stay calm at the male ‘macktivists’. Stay calm and disappear.

(Source: TNM)