Showing posts with label Dev Anand. Show all posts
Showing posts with label Dev Anand. Show all posts

Tuesday, 23 January 2018

Dev Anand: Untold stories from the legend’s life

Long before Indian films and stars went international, there was Dev Anand. Debonair and inimitable, Dev Saab (as he was affectionately called) was the first really ‘cool’ hero of the Hindi silver screen. Known as the Adonis of Indian cinema for his good looks and charismatic personality, he cast his cinematic spell over generations of Indian women.


Over his seven-decade strong career, the uniquely stylish heartthrob also went on to earn much acclaim as one of Indian cinema’s iconic actor-directors. Dev Anand’s movies were suave, modern and not afraid of tackling bold subjects, just like the man himself. Whether it was Hare Rama Hare Krishna (that dealt with Hippie culture) or Des Prades (that explored the lives of Indian immigrants in the UK), all his films personified his different way of thinking.

On Dev Anand’s 94th birth anniversary, we celebrate the evergreen legend’s cinematic journey with eight little-known stories from his life.

1. During his struggling days, Dev Anand used to work as a clerk to make end’s meet.

Born Dharam Dev Anand on September 26, 1923, the superstar spent his early years in Gharota village in Gurdaspur district in Punjab (British India). After completing his schooling from Sacred Heart School in Dalhousie, he joined Lahore’s Government College for a BA degree in English Literature.

With dreams in his eyes and little money, a 20-year-old Dev Anand came to Mumbai in 1943 to become an actor. During his struggling days, he would work as a clerk in an accountancy firm for a meagre salary of ₹ 85 to make ends meet. Later, he shifted to the Military Censor Office where he worked for a few months (earning ₹ 160) before he finally got a role in his first film, Hum Ek Hain, in 1945.

2. His screen idol was the one who gave Dev Anand his first movie hit.

Dev Anand with Kishore Kumar, R.D.Burman and Yash Chopra
Dev Anand was a big fan of Ashok Kumar and, in fact, it was Dadamoni’s (as Ashok Kumar was fondly called) movie, Achyut Kanya, that had motivated him to take up acting seriously. A chance encounter with Shaheed Latif (Ishmat Chugtai’s husband) on a train took him to Bombay Talkies Studio for a meeting that would change his life.

It was here that Dev Anand met Ashok Kumar Impressed by the young actor’s confidence, Ashok Kumar offered him the leading role in his upcoming movie ‘Ziddi’ before asking how much he wanted as his remuneration. To this, Dev Anand gave an answer that sealed the deal for him: “My fee will be people saying that you have given the industry a star.”

Interestingly, a young singer named Kishore Kumar was also introduced in the same film!

3. Dev Anand was once ‘banned’ from wearing black suits.


Dev Anand’s unique brand of acting — his rapid-fire delivery of dialogues, the serial nodding of his head and his way he walked in a springy slouch — endeared him to millions of fans. What also made him a force to reckon with was his signature style, that made him a major fashion icon of the 1950s and 1960s.

Whether it was the puff of hair on his crown, his bright scarves or his crisp white shirts teamed with loose, exquisitely-tailored pants, Dev Anand’s style had women swooning over him. There was a time when the frenzy reached such a crescendo that female fans started sending him letters in their blood and jumping off buildings, especially after seeing him in a black suit. He was then banned from wearing a black suit in public!

4. When love blossomed between Dev Anand and Suraiya



Dev Anand’s first love was Suraiya, the beautiful singing superstar with whom he did seven films — Vidya (1948), Jeet (1949), Shair (1949), Afsar(1950), Nili (1950), Do Sitare (1951) and Sanam (1951). The talented duo fell in love after a dramatic incident during one of the film shoots, when their boat capsized and in true Bollywood hero-style, he saved her from drowning.

Dev Anand proposed to Suraiya on the sets of Jeet. However, Suraiya’s maternal grandmother was strongly opposed to the inter-religious match and the lovebirds never married. Eventually, Dev Anand eventually married his Taxi Driver co-star Kalpana Katik while Suraiya remained single all her life. Much later, in a rare newspaper interview, she said that her one regret in life was she could not marry Dev Anand.

5. The terrific troika of Dilip Kumar, Raj Kapoor and Dev Anand


Dev Anand, Dilip Kumar and Raj Kapoor were the trio of stars who ruled Indian cinema in the 50s and 60s. While the popular notion was that these prominent stars never worked together, each one actually shared one film with the other. Dev Anand worked with Dilip Kumar in SS Vasan’s Insaniyat while he starred with Raj Kapoor in Shreemanji (though they didn’t share screen space). Dilip Kumar worked with Raj Kapoor in Mehboob Khan’s Andaaz .

Despite the professional rivalry (exaggerated by most media publications of the era), the trio shared a warm personal relationship. In fact, one of Dev Anand’s last wishes was to meet his peer and veteran actor Dilip Kumar on his birthday even though he was ill. He had even marked out the date in his diary so he wouldn’t forget. Sadly, he passed away on December 4, 2011, a week before Dilip Kumar’s birthday on December 11.

6. Dev Anand’s film ‘Guide’ was the first international collaboration of Indian cinema.

Dev Anand with Shirley McClaine and Waheeda Rehman
Widely considered a masterpiece of Indian cinema, Guide was among Dev Anand’s best works ever. A film adaptation of author RK Narayan’s acclaimed novel, it was made in both Hindi and English. The premiere of the Hindi version, made by Navketan Films (the production house run by Dev Anand and his brothers, Chetan and Vijay), was held in New York.

It was here that he met David Selznick (best known for producing Gone with the Wind and Rebecca, both earning him an Academy Award for Best Picture), who wanted to cast him for a movie that would be shot in Kashmir. However, this wasn’t to be as Selznick suddenly died of a heart attack soon after.

The English version of Guide, written by Pearl S Buck and directed by American Tad Danielewski, never saw the light of day till it was screened at the 2007 Cannes Film Festival, 42 years after it was made. Interestingly, besides the English version of Guide, Dev Anand also acted in an international movie, The Evil Within, a crime thriller directed by Lamberto V. Avellana and produced by Rolf Bayer.

7. When Dev Anand met Charlie Chaplin

Dev Anand with his wife
A huge fan of the legendary actor, Dev Anand got the opportunity to meet him in 1954. After being asked to leave the USA for allegedly being involved in un-American activities, Chaplin had settled down in a villa in Montreux (in Switzerland).

It was here that Dev Anand visited him as a part of an Indian delegation. He had seen Chaplin’s film, The Great Dictator, during his college days and deeply admired it. So when he met the legend, he couldn’t help but raise his arms and exclaim, ‘Hail Chaplin!’ Chaplin burst into laughter before replying in the same spirit, ‘Welcome to my white house!’

The autograph Charlie Chaplin gave him on this visit remained one of Dev Anand’s most treasured possessions for the rest of his life.

8. Dev Anand always made the time and took the effort to foster new talent.
A warm-hearted superstar who epitomised the expression joie di vivre, Dev Anand launched many aspiring actors and directors to Hindi cinema; Zeenat Aman, Tina Munim, Kabir Bedi, Shekhar Kapur, Ekta Sohini, Sabrina, Zarina Wahab, Yash Johar, Guru Dutt and more.

In an interview to India Today, Shatrughan Sinha said, “In the film Sharif Badmash (1973) I had a fight scene with Dev saab in which I had to shout at him and put a knife to his neck. In those days, big stars would edit out such scenes which showed them in a bad light. But he didn’t do it; he was a natural scene stealer he wasn’t threatened by anyone. For me, he was 88-years younger rather than 88-years-old.”

However, it was Guru Dutt (who he described as “my greatest pal”) that Dev Anand shared a special relationship.

Guru Dutt, Dev Anand, Raj Khosla and Waheeda Rehman
Two young men struggling to find a foothold in the film industry, they became fast friends on the sets of Hum Ek Hain (which Guru Dutt was choreographing) when their shirts got swapped in the laundry. When Dev Anand asked Dutt why he was wearing his shirt, Dutt replied that the shirts had got exchanged in the laundry and since he didn’t have another spare one, he wore the one he had found.

The good laugh the duo shared became the foundation of a long-lasting friendship and a promise they made to each other — if Guru Dutt turns a filmmaker, he would sign Dev Anand as his hero, and if Dev Anand ever produces a film, he would let Guru Dutt helm it. This led to Guru Dutt directing or producing many of Dev Anand’s films such as Baazi, Jaal and C.I.D!

(Source: TBI)

Thursday, 19 July 2012

Why is Rajesh Khanna called Bollywood's 'first superstar'?


It’s the end of an era. Isn’t it strange that superstars have a persona so large, even larger than life, that we often forget that they are also mortals and one day or the other they will leave the world like every other living soul.

On Wednesday, July 18, 2012, “Bollywood’s first original superstar” Rajesh Khanna, popularly known as Kaka, died at the age of 69 at ‘Ashirwad’, his house on Carter Road in Mumbai.

But as media covered the news of his death, all the newspapers, television channels used the phrase “Bollywood’s first superstar” and then I for a moment I asked myself, ‘what, first superstar?’ Yes, no doubt he was a big star the Indian cinema had ever seen, but was he the first superstar, as the media, Indian and foreign, kept on buzzing? I was surprised whether Raj Kapoor, Dilip Kumar and Dev Anand, who ruled the Hindi film industry even before Rajesh Khanna, were not superstars? Didn’t they give super hits?

If not Dilip Kumar and Dev Anand, Kapoor family is still giving hits in Bollywood. Raj Kapoor has left an entire family of stars. His sons Rishi Kapoor and Randhir Kapoor, his grandson Ranbir Kapoor and granddaughters Karishma Kapoor and Kareena Kapoor – even his daughters-in-law Babita and Neetu Singh have given some big hits -- have given hits in the film industry. And moreover, who can deny the contributions of Raj Kapoor to Hindi cinema which is probably greater than that of most of his contemporaries?

Was Raj Kapoor not a superstar then? Didn’t he deliver successful films like: Barsaat (1949), Aah (1953), Awaara (1951), Boot Polish (1954), Shree 420 (1955), Chori Chori (1956), Anari (1959), Kanhaiya (1959), Main Nashe Men Hoon (1959), Jis Desh Men Ganga Behti Hai (1960), Aashiq (1962), Ek Dil Sao Afsane (1963), Sangam (1964), Teesri Kasam (1966), Around the World (1967), Diwana (1967), Sapnon Ka Saudagar (1968), Mera Naam Joker (1970)?

And what about the legendary songs is films delivered? Who will stop from humming "Laga Chunri Mein Daag" (Dil Hi To Hai), "Dil Ka Haal Sune Dil Wala", "Mud Mud Ke Na Dekh" and "Pyar Hua Ikrar Hua" (Shree 420), "Ae Bhai Zara Dekh Ke Chalo" (Mera Naam Joker), (Shree 420), "Aaja Sanam Madhur Chandni Mein Hum", "Jahan Mein Jati Hoon Wahin Chale Aate Ho" and "Yeh Raat Bhigi Bhigi, Yeh Mast Fizayen" (Chori Chori), "Masti Bhara Hai Samaan", "Belia Belia Belia" and "Mama O Mama" (Parvarish), "Chalat Musafir" (Teesri Kasam), "Lallah Allah Tera Nigehbaan" (Abdullah)?

Not to forget the fact that Raj Kapoor had received many awards, including nine Filmfare Awards and 19 nominations. His acting was rated as one of the "Top-Ten Performances of all time", by the Time Magazine.

How can anyone forget Dilip Kumar and his superhit songs like “Ude jab jab zulfen teri” (Naya Daur, 1957), “Suhana safar aur yeh mausam haseen” ( Madhumati, 1958), “Do sitaron ka zameen par hai milan” (Kohinoor, 1960), “Tu kahe agar” (Andaz, 1949), “Nain lad jaye hain”  (Ganga Jamuna, 1961), “Insaaf ka mandir hai ye” (Amar, 1954), “Pyaar kiya toh darna kya” (Mughal-E-Azam, 1960), “Saala main toh saab ban gaya” (Sagina, 1974), “Tere husn ki kya tareef karun” (Leader, 1964), and others?

Not to forget an important fact that Dilip Kumar-starrer Mughal-E-Azam (1960) broke box office records in India when released and held the record for the highest grossing film ever until Sholay broke its record in 1975. This was (counting Sanjay Leela Bhansali’s Devdas) the most expensive film ever made in Indian history. Tailors were brought from Delhi to stitch the costumes, specialists from Surat-Khambayat were employed for the embroidery, Hyderabad goldsmiths made the jewellery, Kolhapur craftsmen designed the crowns, Rajasthan ironsmiths crafted the weapons, and the elaborate footwear was ordered from Agra. For the battle sequence, 2,000 camels, 4,000 horses and 8,000 troops were used, many of them soldiers on loan from the Indian Army. Altogether the film cost Rs 1.5 crores (132.7 crores in present terms).

Then getting back to Dev Anand.  Guide (1965), Jewel Thief (1967), Hum Dono (1961), Kaala Bazaar (1960), Teen Devian (1965), Asli Naqli (1962), Tere Ghar Ke Saamne (1963), Kaala Paani (1958), Johnny Mera Naam (1970), Bombai Ka Baboo (1960), CID (1956),  Paying Guest (1957), Nau Do Gyarah (1957), Jewel Thief (1967), Johny Mera Naam (1970), Tere Mere Sapne (1971), Hare Rama Hare Krishna (1971),  etc.

And the hit songs, rather say evergreen like him are so many: Aankhon hi aankhon mein, Aye dil hai mushkil jeena yahan, Jaata kahan hai deewane, Kahin pe nigahen, Leke pehla pehla pyaar (CID), Chod do aanchal, Mana janab ne pukara nahin, Haye haye yeh nigahen, O nigahen mastana, Chand phir nikla (Paying Guest), Hum hain rahi pyaar ke, Aankhon mein kya ji (Nau Do Gyarah), Hum bekhudi mein tumko, Acha ji main haari, Nazar lagi raja tore bangle par (Kaala Pani), Khoya khoya chand, Rimjhim ke tarane leke, Sach hue sapne tere (Kala Baazar), Main zindagi ka saath nibhata, Abhi na jao chodke, Allah tero naam (Hum Dono), Tere ghar ke samne, Dil ka bhanwar, Dekho rootha na karo, Sun le tu dil ki sada, Tu kahan yeh bata (Tere Ghar Ke Saamne), Arre yaar meri tum bhi ho ghazab, Aise to na dekho, Khwab ho tum ya koi haqeeqat, Likha hai teri aankhon mein (Teen Deviyan), Wahan kaun hai tera, Aaj phir jeene ki tamanna, Gaata rahe mera dil, Tere mere sapne, Kya se kya ho gaya, Din dhal jaaye (Guide), Yeh dil na hota bechara, Raat akeli, Aasman ke neeche, Hothon pe aisi baat, Dil pukare aare (Jewel Thief), Palbhar ke liye, O mere raja, Nafrat karne walon, Husn ke lakhon rang (Johny Mera Naam), Hey maine kasam li, Jaise radha ne mala japi, Jeevan ki bagiya, Ta thai tat thai (Tere Mere Sapne), Phoolon ka taaron ka, Dum maaro dum, I love you, Kanchi re (Hare Rama Hare Krishna), etc.

Then how come Rajesh Khanna is considered the first superstar? Is it because the term superstar was not coined in the time of Raj Kapoor or Dilip Kumar or Dev Anand? Or is it the term film critics and analysts gave him? Why did they choose that particular term? Is it because of the countless stories of women who were literally crazy about him? It’s not a secret that women, irrespective of their marital status, would send him letters written in their blood. Female fans would wait outside his Bandra home just to get a glimpse of their heartthrob. They chanted his name, left lipstick marks all over his car and even got married to his photograph. To define all this popularity did they find the word “superstar” apt? Maybe. Or is it because he has an enviable track record of 15 consecutive superhits in the 1970s,  a record that will probably never be broken? Maybe. Or just those three dialogues made them to call him a superstar? Maybe.

 “Ae Babu Moshai, zindagi aur maut uparwale ke haath hai jahan-panah. Usse na aap badal sakte hain na main.” (Anand, 1971)

“Pushpa, I hate tears.” (Amar Prem, 1972)

“Kisi badi khushi ke intezaar mein hum yeh chote chote khushiyoon ke mauqay kho dete hain.” (Bawarchi, 1972).

These dialogues are evergreen and whoever has watched his films will never forget these lines. His dialogues remain etched in the memories of all his viewers. And the songs too live in the memory of Indians, after all he brought alive onscreen the creative efforts of RD Burman, Anand Bakshi and Kishore Kumar, and he had the fortune of featuring in some of Bollywood’s greatest ever melodies. Whatever be the reason, he remains in our mind and his songs will keep haunting us...

And here goes some of his hit melodious numbers:
- Kora Kagaz Tha Yeh Man Mera (Aradhana) 1969
-Mere Sapnon Ki Raani (Aradhana) 1969
- Roop Tera Mastana (Aradhana) 1969
- Woh Shaam Kuch Ajeeb Thi (Khamoshi) 1969

- Achha To Hum Chalte Hain (Aan Milo Sajna) 1970
- Dil Sacha Aur Chehra Jhootha (Sachcha Jhootha) 1970
- Jeevan Se Bhari Teri Ankhen (Safar) 1970
- Meri Pyari Behaniya (Sachcha Jhootha) 1970
- Yahan Wahan Sare Jahan (Aan Milo Sajna) 1970

- Yeh Jo Mohabbat Hai (Kati Patang) 1970
- Yeh Shaam Mastani (Kati Patang) 1970
- Pyaar Deewana Hota Hai (Kati Patang) 1970
- Kahin Door Jab Din Dhal Jaaye (Anand) 1971
- Zindagi Kaisi Hai Paheli (Anand) 1971

- Chala Jata Hoon (Mere Jeevan Saathi) 1972
- Chingari Koi Bhadke (Amar Prem) 1972
- Kuch To Log Kahenge (Amar Prem) 1972
- O Mere Dil Ke Chain (Mere Jeevan Saathi)1972
- Diye Jalte Hain (Namak Haram) 1973

- Main Shayar Badnam (Namak Haram) 1973
- Mere Dil Mein Aaj Kya Hai (Daag)1973
- Jai Jai Shiv Shankar (Aap Ki Kasam) 1974
- Karvate Badalte Rahe (Aap Ki Kasam) 1974
- Gore Rang Pe Na Itna (Roti) 1974

- Zindagi Ke Safar Mein (Aap Ki Kasam) 1974
- Mere Naina Saawan Bhadon (Mehbooba) 1976
- Aate Jaate Khoobsurat (Anurodh) 1977
- Humein Tum Se Pyaar Kitna (Kudrat) 1981
- Agar Tum Na Hote (Agar Tum Na Hote) 1983


- Shayad Meri Shaadi (Souten) 1983
- Zindagi Pyar Ka Geet (Souten) 1983